A Clockwork Orange Restored Text

Author: Anthony Burgess
Publisher: W. W. Norton & Company
ISBN: 0393239195
Size: 21.26 MB
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A newly revised text for A Clockwork Orange’s 50th anniversary brings the work closest to its author’s intentions. A Clockwork Orange is as brilliant, transgressive, and influential as when it was published fifty years ago. A nightmare vision of the future told in its own fantastically inventive lexicon, it has since become a classic of modern literature and the basis for Stanley Kubrick’s once-banned film, whose recent reissue has brought this revolutionary tale on modern civilization to an even wider audience. Andrew Biswell, PhD, director of the International Burgess Foundation, has taken a close look at the three varying published editions alongside the original typescript to recreate the novel as Anthony Burgess envisioned it. We publish this landmark edition with its original British cover and six of Burgess’s own illustrations.

A Clockwork Orange

Author: Anthony Burgess
Publisher: Penguin UK
ISBN: 0141908327
Size: 64.97 MB
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In this nightmare vision of a not-too-distant future, fifteen-year-old Alex and his three friends rob, rape, torture and murder - for fun. Alex is jailed for his vicious crimes and the State undertakes to reform him - but how and at what cost?

A Clockwork Orange The Presentation And The Impact Of Violence In The Novel And In The Film

Author: Thomas von der Heide
Publisher: GRIN Verlag
ISBN: 3638506819
Size: 39.48 MB
Format: PDF
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Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Cologne (Institut für Anglistik), course: Novels and their film adaptations, 9 entries in the bibliography, language: English, abstract: After the release of Stanley Kubrick's film version of "A Clockwork Orange" in 1971, Anthony Burgess's original novel of 1962 and the film were obstinately criticised to be senselessly brutal and it was (and is) said (until today) that both Burgess and Kubrick glorified violence with their works. Although in "A Clockwork Orange", a lot of different themes are dealt with - for example politics, music, art or themes of philosophical nature - the violence in the book and on screen are the most concerned about things when critics write about "A Clockwork Orange". But not only critics, also 'normal' readers (or viewers) regard the violence to be the most remarkable thing about the whole book (or movie). One simply has to look at the website of the internet-bookstore 'Amazon' (www.amazon.de) to see that the main part of the readers' reviews for the book by Anthony Burgess comment on the violence and the brutal crimes committed by the story's protagonists: Alex DeLarge and his 'droogs'. It is interesting that most of the readers that commented on the book also gave a statement about Kubrick's film adaptation. It looks like the whole discussion about violence in "A Clockwork Orange" really first came up when Stanley Kubrick's movie version hit the theatres. But why this violence? Does it stand for itself? Are rape and murder obeyed fetishes of Burgess and Kubrick? Or is there something more in the story, that makes it indispensable to present violence in the extreme way Burgess and Kubrick did? This text will explain the function and the intention of presenting violence in "A Clockwork Orange". It will show the differences between the way of presenting violence in the original novel and the film version and why author and director decided to portray the protagonists' brutality in unlike ways, including the impact they have on the reader and the viewer. This text will conclude that in the novel and the film version, violence in "A Clockwork Orange" serves to discuss other and more important themes included in the story.

Stanley Kubrick S A Clockwork Orange

Author: Stuart Y. McDougal
Publisher: Cambridge University Press
ISBN: 9780521574884
Size: 10.55 MB
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Stanley Kubrick's 'A Clockwork Orange' brings together new and critically informed essays about one of the most powerful, important and controversial films ever made. Following an introduction that provides an overview of the film and its production history, a suite of essays examine the literary origins of the work, the nature of cinematic violence, questions of gender and the film's treatment of sexuality, and the difficulties of adapting an invented language ('nadsat') for the screen. This volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of 'nadsat' and stills from the film.

A Clockwork Orange In The Context Of Subculture

Author: Maren Volkmann
Publisher: GRIN Verlag
ISBN: 3638554988
Size: 49.14 MB
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Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, Ruhr-University of Bochum, course: Englisches Seminar: Subcultures in Post-War Britain, 14 entries in the bibliography, language: English, abstract: In 1974 - just two years after it had opened - the movie “A Clockwork Orange” by Stanley Kubrick was banned from Bristish screens. It was Kubrick himself who decided to withdraw the film from distribution in the UK. Since Kubrick received death threats and threatening phone calls he hoped that the controversary would subside with the fading of memory. The film had been blamed for several violent acts and Kubrick and Anthony Burgess, the writer of the novel, were made responsible for them. In fact, the film caused a moral panic because of its violence. However, it seems interesting to me who is behind all this violence. I want to analyse how Alex and his droogs define themselves. Are they rebels without a cause and if not, what are they rebelling against? I will try to take a look at the book and the film in context of subculture: how did subculture influence the works of Burgess and Kubrick, how is subculture presented in their works and how did they influence subculture afterwards?

Nadsat In A Clockwork Orange

Author: Kathrin Vogler
Publisher: GRIN Verlag
ISBN: 3640523245
Size: 21.69 MB
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Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Bamberg (Lehrstuhl für Englische Literaturwissenschaft), course: Literature into Film - The Case of Stanley Kubrick, language: English, abstract: The dystopian novel A Clockwork Orange, written by Anthony Burgess, was published in 1962. Stanley Edgar Hyman suggests that “perhaps the most fascinating thing about the book is its language”. I agree with him and therefore I set myself to examine this special language called Nadsat in my term paper. The second chapter deals with important features of Nadsat, e.g. its origin. Herein I will touch upon Burgess’s inspiration to create a new language for his novel and point out languages that contributed to the evolution of Nadsat. Ongoing I will go further into the question whether Nadsat can be considered being slang by giving a definition of slang, describing reasons for this linguistic phenomenon and naming typical features of it. Furthermore I will have a look at particular words, phrases and motives which are frequently repeated in the novel and explain the reasons for that. The last feature I will pay attention to is how Nadsat handles sexuality. The concern of the third chapter is to find out which function Nadsat holds in the novel. Herein I will distinguish between the language of a criminal and the language of an aesthete with regard to the main character Alex. The fourth and last chapter serves my purpose to find out whether Nadsat creates alienation or identification. That is whether the reader turns away from Alex being disgusted by his actions and language or whether the reader leans towards Alex sympathizing with him and constructing a kind of alliance. For I placed great value on the connection between my term paper and the original text edition of A Clockwork Orange, I chose not to use much secondary literature but to work primarily with the Reclam edition released in 1992 which I will refer to as ACO.

Gale Researcher Guide For A Clockwork Orange Anthony Burgess S Black Comedy 1962 And Stanley Kubrick S Violent Grotesque 1971

Author: James Fenwick
Publisher: Gale, Cengage Learning
ISBN: 1535852852
Size: 59.58 MB
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Gale Researcher Guide for: A Clockwork Orange: Anthony Burgess's Black Comedy (1962) and Stanley Kubrick's Violent Grotesque (1971) is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

A Clockwork Orange

Author: Peter Kramer
Publisher: Palgrave Macmillan
ISBN: 9780230302129
Size: 34.51 MB
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Stanley Kubrick's futuristic juvenile delinquency movie A Clockwork Orange (1971) is an adaptation of Anthony Burgess' 1962 novel of the same title. Film and novel tell the story of an extremely violent teenager who allows himself to be subjected to aversion therapy (making him unable to indulge his violent and sexual impulses) so as to get out of prison; he then becomes the target of violent attacks and political manipulation which in turn culminate in the removal of his psychological conditioning. Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer's study explores the production, marketing and reception as well as the themes and style of A Clockwork Orange against the backdrop of Kubrick's previous work and of wider developments in cinema, culture and society from the 1950s to the early 1970s.