American Watercolor In The Age Of Homer And Sargent

Author: Kathleen A. Foster
Publisher: Yale University Press
ISBN: 030022589X
Size: 56.61 MB
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The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.

John Singer Sargent Venetian Figures And Landscapes 1898 1913

Author: Richard Ormond
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300141405
Size: 27.26 MB
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"From 1874 to 1882, John Singer Sargent (1856-1925) produced more than 200 paintings and water-colours aside from portraiture that chart his development as an artist. The breadth of his achievement includes figures in landscape settings, architectural studies, seascapes, subject paintings, and studies after old masters. From his powerful studies of models in Paris in the mid-1870s to his compelling paintings set in Venice in the early 1880s, the works published in this volume of the catalogue raisonne show the variety of his aesthetic responses." "Working in the studio and en plein air, Sargent travelled widely during the eight years covered in this volume, painting in Paris, Brittany, Capri, Spain, North Africa and Venice." "This is the first time that Sargent's early work has been mapped so comprehensively. With very few exceptions, this book illustrates all the pictures under discussion in colour. Each painting, including several which have never been published before, is documented in depth with full provenance, exhibition history and bibliography. Original research of primary documents and on-site investigations uncovered much new information, presented in critical discussions of subject matter, dating, style, and significance in the artist's career. The volume reproduces a wealth of Sargent's preliminary and related drawings and of comparative works by other artists." --Book Jacket.

The Grove Encyclopedia Of American Art

Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Size: 50.54 MB
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Where is American art in the new millennium? At the heart of all cultural developments is diversity. Access through recent technology engenders interaction with artists from around the world. The visual arts in the United States are bold and pulsating with new ideas.

Narrating The Landscape

Author: Matthew N. Johnston
Publisher: University of Oklahoma Press
ISBN: 0806154969
Size: 40.14 MB
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The American nineteenth century saw a largely rural nation confined to the Eastern Seaboard conquer a continent and spawn increasingly dense commercial metropolises. This time of unprecedented territorial and economic growth has long been thought to find its most sweeping visual equivalent in the period’s landscape paintings. But, as Matthew N. Johnston shows, the age’s defining features were just as clearly captured in, and motivated by, visual material mass-produced through innovations in printing technology. Illustrated railroad and steamboat guidebooks, tourist literature, reports of geological surveys, ethnographic studies: all of these new print vehicles brought new meanings to the interplay of time, space, and place as American continental expansion peaked. Instrumental to that project of national and industrial growth, these commercial and scientific publications introduced readers, travelers, and citizens to a changing North American landscape made more accessible by new travel routes blazed between 1825 and 1875. More fundamentally, as Johnston shows in his nuanced analysis, by simulating new temporal frameworks through their presentation of landscape, these print materials established new models of consumption and new kinds of knowledge critical to expansion. Johnston relates these sources to traditional art historical subjects—the landscapes of the Hudson River school, luminist paintings by John Kensett and William Trost Richards, Native portraits painted by George Catlin, and photographs by Timothy O’Sullivan—to show how key discourses associated with expansion shifted away from picturesque strategies pairing imagery and narrative toward entirely new forms that gave temporal structure to viewers’ experience of an emerging modernity. Revealing the crucial role of print and visual culture in shaping the nineteenth-century United States, Narrating the Landscape offers fresh insight into the landscapes Americans beheld and imagined in this formative era.

Master Drawings In The Los Angeles County Museum Of Art

Author: Los Angeles County Museum of Art
Publisher: Hudson Hills
ISBN: 9781555951528
Size: 18.35 MB
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More than 100 masterworks of European and American draftsmanship, Italian and French old masters, and 19th- and 20th-century works, this collection features masterpieces by Beardsley, Cassatt, Chagall, Van Gogh, Homer, Ingres, Kandinsky, Picasso, Pollock

American Moderns On Paper

Author: Elizabeth Mankin Kornhauser
Publisher:
ISBN:
Size: 73.79 MB
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Presents a selection of one hundred watercolors, pastels, and drawings created between 1910 and 1960 from artists that include O'Keefe, Wadsworth, and Marin.

American Watercolors

Author: Christopher Finch
Publisher: Abbeville Press
ISBN:
Size: 71.91 MB
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An eye-dazzling delight, celebrating some of the greatest masters of the watercolor medium with an extravagant and beautiful selection of illustrations. 398 illustrations, 247 in full color.

American Folk

Author: Gerald W. R. Ward
Publisher: Museum of Fine Arts Boston
ISBN:
Size: 25.10 MB
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Folk art has been part of the American idiom for nearly as long as America has been a nation. Today it remains one of the best-loved and most fervently collected forms of American art, a diverse and authentic vernacular expression. This new soft-cover edition of American Folkpresents over 60 remarkable objects from one of the country's most prominent collections of folk art. Included are paintings, carvings, textiles, prints, frakturs, furniture, and utilitarian objects, dating from the late eighteenth to the early twentieth century. Such masterpieces as Erastus Salisbury Field's lush The Garden of Eden, E.L. George's surrealistic Child in a Rocking Chair, a complex monumental quilt by former slave Harriet Powers, and Wilhelm Schimmel's extraordinary carved animals appear alongside a remarkable assortment of whirligigs, windmills, decorated chests, figurines and even carousel dogs. Lavishly illustrated, American Folkis a vibrant and engaging introduction to one of the country's proudest cultural traditions. "Many [of these] objects are masterpieces... These works survive as intriguing, often poignant evidence of the circumstances of ordinary lives, and of the need to make art." --Deborah Weisgall, The New York Times

Capturing Beauty

Author: David Park Curry
Publisher: Virginia Museum of Fine Arts
ISBN:
Size: 55.98 MB
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Drawn entirely from the collection of James W. and Frances G. McGlothlin of Austin, Texas—one of the largest holdings of late-nineteenth- and early-twentieth-century American paintings still in private hands— Capturing Beauty showcases thirty Impressionist and Realist oils, watercolors, and pastels and two sculptures by some of the nation’s leading artists. Appealing Impressionist works by Mary Cassatt, Childe Hassam, and John Singer Sargent join forces with powerful Realist pictures by George Bellows, Winslow Homer, and Robert Henri. Unexpected gems—a seductive sketch by William Merritt Chase, a subtle seascape by James McNeill Whistler, an evocative interior by William McGregor Paxton—add luster to the collection. Two-thirds of the pictures on view were painted in the United States. Expatriate Americans working in France, Spain, and Italy created the rest. In 1916, two years before he created the most recent work featured in the show, Robert Henri wrote to his students: "The question of development of the art spirit in all walks of life interests me. I mean by this, the development of individual judgment and taste.... If anything can be done to bring the public to a greater consciousness of the relation between art and life, of the part each person plays by exercising and developing his own personal taste and judgment... it would be well." A sparkling watercolor by Maurice Prendergast radiates the energy with which Mr. and Mrs. McGlothlin have exercised their passion for collecting since the mid-1990s. Their recently acquired Sargent oil portrait of Mme. Eugenia Errazuriz, one of the beauties of the late ninteenth century, attests to the collectors’ own love of the beautiful in American art.

American Paintings In The Brooklyn Museum

Author: Teresa A. Carbone
Publisher: D Giles Limited
ISBN:
Size: 55.35 MB
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A major authoritative catalogue of one of the world's most important collections of American art by artists born before 1876.