Project Management In The Ed Tech Era

Author: Darryl Vidal
Publisher: Rowman & Littlefield
ISBN: 1475835493
Size: 51.94 MB
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This book is focused on project planning and project management of IT projects in the education realm.

The Great American Songbooks

Author: T. Austin Graham
Publisher: Oxford University Press
ISBN: 0199862117
Size: 78.56 MB
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The Great American Songbooks shows how popular music shapes and permeates a host of modernism's hallmark texts. Austin Graham begins his study of 20th-century texts with a discussion of American popular music and literature in the 19th century. He posits Walt Whitman as a proto-modernist who drew on his love of opera to create the epic free-verse poetry that would heavily influence his bardic successors. One can witness this in T. S. Eliot, whose poem The Waste Land relies on Whitman's verse style to emphasize how 19th-century structures of feeling regarding music persist into the 20th century. From opera and standards of the Victorian musical hall, Graham moves to the blues to reveal the multifaceted ways it shaped works in the Harlem Renaissance, most notably in the verse of Langston Hughes and Jean Toomer's stream-of-consciousness masterpiece, Cane. The second half of Songbooks advances an argument for a musical eclecticism that arose alongside rapid industrialization. Writers like Scott Fitzgerald and John Dos Passos, Graham argues, developed a notion of musical eclecticism to help them process—or cope—with the unprecedented invasiveness of popular music, particularly in major cities. This eclecticism runs counter to critics like Adorno who equate popular music with mass produced mechanisms such as the phonograph and radio, and thus with degraded, cultural forms. In conclusion, Graham suggests how modernist writers experienced, and sometimes theorized, a more nuanced, sophisticated, and fluid mode of interaction with popular music.

Twentieth Century Drifter

Author: Diane Diekman
Publisher: University of Illinois Press
ISBN: 9780252094200
Size: 75.15 MB
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During his three decades as a country music performer, Marty Robbins (1925-1982) placed 94 songs on Billboard's country music charts, with sixteen number-one hits. In addition to two Grammy awards, he was also honored with the Man of the Decade Award from the Academy of Country Music in 1970. His Hawaiian songs, rockabilly hits, teen-angst ballads, pop standards, and country & western classics showcased his exceptional versatility. Yet even with fame and fortune, Robbins always yearned for more. Twentieth Century Drifter: The Life of Marty Robbins is the first biography of this legendary country music artist and NASCAR driver. Drawing from personal interviews and in-depth research, biographer Diane Diekman explains how Robbins saw himself as a drifter, a man always searching for self-fulfillment and inner peace. Born Martin David Robinson to a hardworking mother and an abusive alcoholic father, he never fully escaped the insecurities burned into him by a poverty-stricken nomadic childhood in the Arizona desert. As Diekman describes, he spent his early teens in trouble with the law and worked an assortment of short-term jobs after serving in combat in World War II. In 1947 he got his first gig as a singer and guitar player. Too nervous to talk, the shy young man walked onstage singing. Soon he changed his name to Marty Robbins, cultivated his magnetic stage presence, and established himself as an entertainer, songwriter, and successful NASCAR driver. As NASCAR's Bobby Allison said, "He started out being a singer driving a race car, but he became a race car driver who could sing." For fans of Robbins, NASCAR, and classic country music, Twentieth Century Drifter: The Life of Marty Robbins is a revealing portrait of this well-loved, restless entertainer, a private man who kept those who loved him at a distance.

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Size: 48.60 MB
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Issues for 1965- include "Recent publications on theatre architecture," no. 13/14-