From New York Times best-selling author of the Dinotopia series, James Gurney, comes a carefully crafted and researched study on color and light in paintings. This art instruction book will accompany the acclaimed Imaginative Realism: How to Paint What Doesnâ€™t Exist. James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensible tool for any artist. This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked the #1 Bestseller on the Amazon list for art instruction. "James Gurney's new book, Color and Light, cleverly bridges the gap between artistic observation and scientific explanation. Not only does he eloquently describe all the effects of color and light an artist might encounter, but he thrills us with his striking paintings in the process." --Armand Cabrera, Artist
The "painters' painter," Anders Zorn (1860–1920) studied at the Stockholm Royal Academy of Art and took up residence in London and Paris, where he established an international roster of high-society clients. His striking portraits rivaled those of his contemporary John Singer Sargent in their popularity. Zorn excelled at both watercolor and oil painting, and his etchings are of the highest quality. Uninhibited by the limitations of the medium, the Swedish artist exhibited complete mastery of the plate, bending the art form to suit his own direction. His etchings display the same characteristics and likeness of his paintings, consisting chiefly of portraits and genre scenes. This collection of Zorn's finest etchings, which date from 1883 to 1918, features art from the 1922 Verlag Ernst Arnold edition. An ideal showcase of Zorn's artistic style and technical ability, this book provides a captivating gallery of people in repose and in motion—making music, riding horses, boating, and swimming. Some of the etchings are nude, others depict the fashions of the day. This new edition is enriched by a Foreword by James Gurney, author of Color and Light: A Guide for the Realist Painter and Imaginative Realism.
Professor Denison and Bix, his dinosaur companion, are summoned to the forbidden empire of Chandara but, having lost their invitation, must travel penniless and in disguise through spectacular sights and memorable scenes. Includes a new afterword by the author.
This book provides an overview of the application of color theory concepts to digital media and visualization. It highlights specific color concepts like color harmony and shows how to apply the concept with case study examples and usage of actual online and mobile color tools. Color deficiencies are reviewed and discussed are color tools for examining how a specific color map design will look to someone with the deficiency. Other books on color examine artists' use of color, color management, or color science. This book applies fundamental color concepts to digital media and visualization solutions. It is intended for digital media and visualization content creators and developers. Presents Color Theory Concepts that can be applied to digital media and visualization problems over and over again Offers Comprehensive Review of the Historical Progression of Color Models Demonstrates actual case study implementations of color analyses tools Provides overview of Color Theory and Harmony Analytics in terms of online and mobile analysis tools Teaches the color theory language to use in interacting with color management professionals
Release on 2012 | by James Gurney,Michael Brett-surman
The World Beneath
Author: James Gurney,Michael Brett-surman
Pubpsher: Courier Corporation
Category: Juvenile Fiction
Four years after being shipwrecked on the island of Dinotopia, sixteen-year-old Will Denison, now a Skybax Corps pilot, explores the skies over the island while his scientist father explores the legendary caverns of the World Beneath.
Release on 2013-07-15 | by Thomas Needham,Ronald Pratt,Helen Tse,Deb Watson,Nancy Wylie
Master Techniques for Creating Stunning Works of Art in Watercolor
Author: Thomas Needham,Ronald Pratt,Helen Tse,Deb Watson,Nancy Wylie
Pubpsher: Walter Foster Pub
An inclusive how-to-paint book, The Art of Watercolor Painting features simple step-by-step projects, as well as instruction for employing a variety of watercolor techniques, including creating washes and working wet into wet.
Understanding and Mastering Colour in Art, Design and Culture
Author: Karen Triedman
Pubpsher: Hachette UK
Colour is one of the most complex elements of design and it is also what people respond to first on an emotional level, whether they are surveying a restaurant interior or browsing an online catalogue. An in-depth understanding of colour is one of the most important and useful assets available to a visual professional. Working successfully with colour in a global community involves understanding colour theory and psychology, as well as geographical and historical reference. This information is covered thoroughly, with clear and precise explanations and examples. Colour: The Professional's Guide is comprehensive, offering informative techniques, examples, inspiration and, above all, exemplary solutions to fit the designer's every need, whatever their discipline. Beautifully illustrated with over 300 colour images, this guide removes the grey areas from the full colour world of contemporary design, providing designers from all disciplines with everything they need to become true, confident colourists.
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
A Contemporary Guide to Traditional Studio Practice
Author: Juliette Aristides
Takes students step by step through the finest works of Old Masters and today's most respected realist artists to reveal the principles of creating full-colour realist still lifes, portraits, and figure paintings.
This comprehensive guide to all aspects of color in the visual arts and crafts will help fine artists and crafters alike discover how to use color to enhance the impact and drama in their work, from painting to pottery, art glass to quilting, haute couture to interior decorating or flower arranging. Improved work translates to increased viewer appeal and higher sales. They will learn to understand and use color models and theory to create excitement or harmony, to develop alternative color schemes to work in and how to use color as a design tool. Topics covered include the nature of color, psychological reactions, the characteristics of color (hue, value, temperature and chroma) and how to use each to heighten impact and drama. The use of traditional color models and their application, alternative color schemes, and the relationship of color to space division, focus and balance are all covered. Highly readable and copiously illustrated with examples from many forms of art and craft, this slim textbook deserves a place on every artist's bookshelf. The book comprises 106 pages with over 143 illustrations, five appendices and a useful index. Forward by Tom Lynch - "... should be required reading for all art students." Stephen Quiller - "A comprehensive guide to the world of color ... an important read."