Release on 1977 | by Giorgio De Santillana,Hertha von Dechend
An Essay on Myth and the Frame of Time
Author: Giorgio De Santillana,Hertha von Dechend
Pubpsher: David R. Godine Publisher
In this classic work of scientific and philosophical inquiry, the authors track world myths to a common origin in early man's descriptions of cosmological activ- ity, arguing that these remnants of ancient astronomy, suppressed by the Greeks and Romans and then for- gotten, were really a form of preliterate science. Myth became the synapse by which science was transmitted. Their truly original thesis challenges basic assumptions of Western science and theories about the transmission of knowledge.
How To Get Rid of Jesus: Prove He Didn't Exist! A popular question posed by Christians today asks, "WWJD?" - which stands for, "What Would Jesus Do?" For more and more Skeptics of Christianity, however, the answer to this question is, "JDNE" - which stands for, "Jesus did not exist!" In this volume, edited by prominent Internet apologist James Patrick Holding, a team of Christian authors provide a series of essays giving detailed answers to those who argue for the "Christ myth." Though rejected by mainstream scholars, this theory continues to grow in popularity among popular writers and Internet antagonists. The need for Christians to be ready to give an answer to it will only become more urgent. "Here's a clear and compelling rebuttal to fallacious claims that keep resurfacing in books and on the Internet. It's well-researched, expertly presented, and ultimately convincing." - Lee Strobel, author, The Case for the Real Jesus
"Materer interprets Merrill's body of work from the perspective of his epic The Changing Light at Sandover and shows that in his earliest poems and in the volumes preceding The Changing Light, Merrill repeatedly expressed his fear of nuclear holocaust and his sense that some momentous revelation was near at hand. Materer demonstrates how apocalyptic motifs also inspire Late Settings, The Inner Room, and A Scattering of Salts."--BOOK JACKET.
In a discussion of the Renaissance revival of classical culture, Piccolomini considers the period’s mythologizing of Brutus, Caesar’s assassin. He cites Dante as the initiator of an important literary, dramatic, political, and artistic theme and explains how the historical Brutus was changed by literature and theatre into a symbol of the just citizen rebelling against the unjust tyrant. Piccolomini discusses several Renaissance political conspiracies modeled after Brutus’ act and explores how those conspiracies, in turn, formed the basis for the theme’s recurrence in Italian, French, and English theatre of the period.
THE STORY: ROCKET MAN is a serious comedy about the road not taken. Donny Rowan has placed everything he owns on his front lawn, along with a sign that reads: Here's my life. Make an offer. He has cut a skylight into his attic and placed his E-Z
It is remarkable how often we consider certain constructs in other peoples' worldview to be «myths», while in our own case we regard equally arbitrary assumptions as inherent to the nature of things. As every anthropologist knows, one's most cherished cultural assumptions tend to remain implicit; in other words, worldview is largely unconscious. This book explores the possibility of plumbing obscure aspects of one's own culture in order to assess what some might call (regarding other cultures) the mythic underpinnings of worldview. Seven explorations in folklore and ethnography exhume a conceptual heritage that still influences perception, albeit in unconscious ways. This archeology of intangible heritage provides the sort of break in intellectual routine that allows us to look anew at familiar things.
In this book, Geryl provides the blueprint for those wishing to survive the 2012 diaster to prepare themselves and prevail. He explains in detail the myriad problems survivors will encounter, and the precautions that need to be taken to overcome them.
The Growth of an American Village in the Early Industrial Revolution
Pubpsher: U of Nebraska Press
A celebrated triumph of historiography, Rockdale tells the story of the Industrial Revolution as it was experienced by the men, women, and children of the cotton-manufacturing town of Rockdale, Pennsylvania. The lives of workers, managers, inventors, owners, and entrepreneurs are brilliantly illuminated by Anthony F. C. Wallace, who also describes the complex technology that governed all of Rockdale?s townspeople. Wallace examines the new relationships between employer and employee as work and workers moved out of the fields into the closed-in world of the spinning mule, the power loom, and the mill office. He brings to light the impassioned battle for the soul of the mill worker, a struggle between the exponents of the Enlightenment and Utopian Socialism, on the one hand, and, on the other, the ultimately triumphant champions of evangelical Christianity.