This sparkling novel about how four sane, intelligent, and good-hearted people manage to find love in spite of themselves abounds in good lines, aphorisms, advice to both the loved and the lovelorn ("The New York Times").
Release on 1997 | by Sharon Willis,Sharon A. Willis
Race and Gender in Contemporary Hollywood Film
Author: Sharon Willis,Sharon A. Willis
Pubpsher: Duke University Press
Category: Performing Arts
In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on screen--most often with little apparent regard for the political context in which they operate--Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino. Capturing the political complexity of these films, Willis argues that race, gender, and sexuality, as they are figured in the fantasy of popular film, do not function separately, but rather inform and determine each other's meaning. She demonstrates how collective anxieties regarding social difference are mapped onto big budget movies like the Die Hard and Lethal Weapon series, Basic Instinct, Fatal Attraction, Thelma and Louise, Terminator 2, and others. Analyzing the artistic styles of directors Lynch, Tarantino, and Lee, in such films as Wild at Heart, Pulp Fiction, and Do the Right Thing, she investigates how these interactions of difference are linked to the production of specific authorial styles, and how race functions for each of these directors, particularly in relation to gender identity, erotics, and fantasy.
You meet everyone in the rooms... English literary agent Patrick Miller came to New York dreaming of joining the big league, only to find himself selling celebrity dog books. But when he spots the legendary novelist Douglas Kelsey on the street and follows him into an AA meeting, a world of opportunity beckons. Patrick enters a den of sex addicts, junkies and pill-poppers, all rubbing shoulders with the reclusive Kelsey. Who knew that sobriety offered such networking possibilities? Or that the women would be so attractive? There's only one small problem. Patrick doesn't have a problem - not with alcohol, nor with drugs, just with that little thing they call the truth. As everyone is beginning to find out... Part Nick Hornby, part Jay McInerney, with a dash of vermouth, In the Rooms is a warm, sharply observed comedy about sex, lies and second chances.
The basis of the major motion picture starring Billy Bob Thornton, KimBasinger and Mickey Rourke, The Informers is a seductive and chillingly nihilistic novel, in which Bret Easton Ellis, returns to Los Angeles, the city whose moral badlands he portrayed so unforgettably in Less Than Zero. This time is the early eighties. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city. Dirk sees his best friend killed in a desert car wreck, then rifles through his pockets for a last joint before the ambulance comes. Cheryl, a wannabe newscaster, chides her future stepdaughter, “You're tan but you don't look happy.” Jamie is a clubland carnivore with a taste for human blood. As rendered by Ellis, their interactions compose a chilling, fascinating, and outrageous descent into the abyss beneath L.A.'s gorgeous surfaces.
From the bestselling author of Einstein’s Dreams comes this harrowing tale of one man's struggle to cope in a wired world, even as his own biological wiring short-circuits. As Boston’s Red Line shuttles Bill Chalmers to work one summer morning, something extraordinary happens. Suddenly, he can't remember which stop is his, where he works, or even who he is. The only thing he can remember is his corporate motto: the maximum information in the minimum time. Bill’s memory returns, but a strange numbness afflicts him. As he attempts to find a diagnosis for his deteriorating illness, he descends into a nightmarish tangle of inconclusive results, his company’s manic frenzy, and his family’s disbelief. Ultimately, Bill discovers that he is fighting not just for his body but also for his soul.