Le Bourgeois Gentilhomme

Author: Molière
Publisher: Cambridge University Press
ISBN: 0521057485
Size: 16.64 MB
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This Cambridge edition of Moliere's classic comedie-ballet written in French with an introduction and summary of each act in English."

The Middle Class Gentleman

Author: Molière
Publisher: Barrons Educational Series Incorporated
ISBN: 9780812001365
Size: 31.26 MB
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Presents the text of the classic seventeenth-century French classic satirizing the fashions of the day

Moliere S Le Bourgeois Gentilhomme

Author: Moliere
Publisher: Palala Press
ISBN: 9781358818301
Size: 67.52 MB
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Cambridge Companion To Moliere

Author: David Bradby
Publisher: Cambridge University Press
ISBN: 1139827294
Size: 39.17 MB
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A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.

Music And Theatre In France 1600 1680

Author: John S. Powell
Publisher: Clarendon Press
ISBN: 9780198165996
Size: 62.10 MB
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'One hopes that this worthy volume will serve as a basis for further research in the area and that, together with the work of groups such as the New Chamber Opera Ensemble and Les Arts Florissants, it will make the delights of early French lyric theatre available to modern audiences as well.' -Julia Prest, Times Literary SupplementMusic and Theatre in France 1600-1680 defines the musical practices of French drama from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française. The dynamic interaction of the performing arts gave rise to a set of musical conventions that informed Molière's theatre as well as early French opera.

Text Presentation 2008

Author: Stratos E. Constantinidis
Publisher: McFarland
ISBN: 0786452897
Size: 36.90 MB
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Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 32nd annual conference held in Los Angeles, California. Topics covered include masculinity in the plays of Tennessee Williams and Frederico Garcia Lorca; Moliere’s revolutionary dramaturgy; motherhood in Medea; Electronovision and Richard Burton’s Hamlet; and José Carrasquillo’s all-nude production of Macbeth, among many others.