The turn of the millennium in France coincided with a number of tangible crises and apocalyptic discourses, and with the growth of the mass media and global market, further generating and manipulating crisis. In this original, wide-ranging but closely analytical study, Cruickshank establishes a new critical framework with which to respond to the fin de millénaire aesthetics of crisis. Critiquing different theoretical and fictional approaches, shereads the work of four influential writers of prose fiction --- Angot, Echenoz, Houellebecq, and Redonnet. Identifying how their responses to the manipulation of crisis reflect, perpetuate, and challenge late capitalist misogyny and symbolic violence, Cruickshank suggests that the recurrent trope of the turningpoint has both aesthetic and critical potential. Fin de millénaire prose fiction emerges as both problematic and problematizing, bespeaking the need to intervene in political and ethical debates while also demonstrating the enduring agency -- critical and creative -- of literature itself.
Boasting one of Western culture's oldest and richest literary traditions, French literature has long been a pioneer of style and innovation. From the farcical comedies of Moliere to the torment of Baudelaire's verse, it has inspired writers and artists everywhere throughout the ages. This comprehensive Beginner's Guide tells French literature's compelling story from the beginning right up to today. Highlighting its distinct qualities, Carol Clark explores how the literary styles of different periods took shape and shows what we can gain from reading classic and modern French works. With translations and explanations of noteworthy extracts from celebrated writers, this is the perfect introduction for anyone who wants to discover the delights French literature offers.
Release on 2014-05-01 | by William Kidd,Sian Reynolds
Author: William Kidd,Sian Reynolds
Category: Foreign Language Study
The study of French culture has long ceased to be purely centred on literature. Undergraduate French courses now embrace all forms of cultural production and consumption, and students need to have a broad knowledge of everything from day-time TV and the latest detective novels to debates about national identity and immigration policies. This stimulating text is an introduction to the full range of contemporary French culture. Written by a group of leading academics both within and outside France, each chapter focuses on a topic from the French cultural scene today. Starting with an overview of resources for further information (both in print and online), the text discusses the varied forms of French cultural expression and looks critically at what 'Frenchness' itself means. The book also explores examples of cultural production ranging from sport, media and literature to theatre, cinema, festivals and music. An essential resource for students and scholars alike, this text provides detailed material and analysis, as well as a launch-pad for further study.
A new strain of realism has emerged in France. The novels that embody it represent diverse fears—immigration and demographic change, radical Islam, feminism, new technologies, globalization, American capitalism, and the European Union—but these books, often best-sellers, share crucial affinities. In their dystopian visions, the collapse of France, Europe, and Western civilization is portrayed as all but certain and the literary mode of realism begins to break down. Above all, they depict a degenerative force whose effects on the nation and on reality itself can be felt. Examining key novels by Michel Houellebecq, Frédéric Beigbeder, Aurélien Bellanger, Yann Moix, and other French writers, Christy Wampole identifies and critiques this emergent tendency toward “degenerative realism.” She considers the ways these writers draw on social science, the New Journalism of the 1960s, political pamphlets, reportage, and social media to construct an atmosphere of disintegration and decline. Wampole maps how degenerative realist novels explore a world contaminated by conspiracy theories, mysticism, and misinformation, responding to the internet age’s confusion between fact and fiction with a lament for the loss of the real and an unrelenting emphasis on the role of the media in crafting reality. In a time of widespread populist anxieties over the perceived decline of the French nation, this book diagnoses the literary symptoms of today’s reactionary revival.
Release on 2019-09-09 | by Iva Novakova,Dirk Siepmann
A Synthesis of Corpus and Literary Perspectives
Author: Iva Novakova,Dirk Siepmann
Pubpsher: Springer Nature
Category: Performing Arts
This edited book represents the first cohesive attempt to describe the literary genres of late-twentieth-century fiction in terms of lexico-grammatical patterns. Drawing on the PhraseoRom international project on the phraseology of contemporary novels, the contributed chapters combine literary studies with corpus linguistics to analyse fantasy, romance, crime, historical and science fiction in French and English. The authors offer new insights into long-standing debates on genre distinction and the hybridization of genres by deploying a new, interdisciplinary methodology. Sitting at the intersection of literature and linguistics, with a firm grounding in the digital humanities, this book will be of particular relevance to literary scholars, corpus stylists, contrastivists and lexicologists, as well as general readers with an interest in twentieth-century genre fiction.