King James 1611 - Louis Segond 1910 - La Sainte 1887
Author: TruthBeTold Ministry
Pubpsher: TRUTHBETOLD MINISTRY JOERN ANDRE HALSETH
This publication contains King James Bible (1611, Pure Cambridge Version) (The Old Testament and The New Testament) and Louis Segond (1910) (The Old Testament and The New Testament) and La Sainte Bible (1887) (The Old Testament and The New Testament) translation. It has 210,901 references and shows 2 formats of The Bible. It includes King James Bible and Louis Segond and Ostervald (The Old Testament and The New Testament) formatted in a read and navigation friendly format, or the Navi-format for short. Here you will find each verse printed in parallel in the kjb-lsg-ost order. It includes a full, separate and not in parallel, copy of the King James Bible and Louis Segond and Ostervald (The Old Testament and The New Testament), built for text-to-speech (tts) so your device can read The Bible out loud to you. How the general Bible-navigation works: A Testament has an index of its books. The TTS format lists books and chapters after the book index. The Testaments reference each other in the book index. Each book has a reference to The Testament it belongs to. Each book has a reference to the previous and or next book. Each book has an index of its chapters. Each chapter has a reference to the book it belongs to. Each chapter reference the previous and or next chapter. Each chapter has an index of its verses. Each chapter in TTS reference same chapter in the Navi-format. Each verse is numbered and reference the chapter it belongs to. Each verse starts on a new line for better readability. In the TTS format the verse numbers are not shown. Any reference in an index brings you to the location. The Built-in table of contents reference all books in all formats. We believe we have built one of the best if not the best navigation there is to be found in an ebook such as this! It puts any verse at your fingertips and is perfect for the quick lookup. And the combination of King James Bible and Louis Segond and Ostervald and its navigation makes this ebook unique. Note that Text-To-Speech (TTS) support varies from device to device. Some devices do not support it. Others support only one language and some support many languages. The language used for TTS in this ebook is English.
The poem begins in âÂÂan ancient garden in the midnight city,âÂÂ where a nocturnal recollection of the past begins an epic voyage traversing centuries of ideas and continents of profound imagery. âÂÂThe Basement Trains,âÂÂ PayneâÂÂs greatest long poem, written when he was 28 years old, conjures up a wealth of poetic legacies: from DanteâÂÂs visit to the underworld, to TS EliotâÂÂs âÂÂMind of Europe.âÂÂ Here, one sees William Blake, Milton, the Catholic Bible, Greek and Roman myth, Russian folklore; and, beyond this, one hears the voice of Roman Payne in its purest poetic form. This bilingual first-edition contains the superb translation into French by Aurélien Galateau. This edition is illustrated with photographic plates by the author. Published by ModeRoom Press, 2006 - Paris, France.
Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer’s grands opéras, and his final work. By 1860 long-imposed labor had started to tell upon the composer’s health: he knew that he must concentrate on the “navigator project” which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and César-Victor Perrin, the director of the Opéra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph Fétis, while the libretto was revised by Mélesville. The original title of L’Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L’Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.
Release on 2012-01-01 | by Jeannette D. Bragger,Donald B. Rice
Author: Jeannette D. Bragger,Donald B. Rice
Pubpsher: Cengage Learning
Category: Foreign Language Study
Structured for student success and organized for instructional flexibility, QUANT A MOI...: TÉMOIGNAGES DES FRANÇAIS ET DES FRANCOPHONES, 5e is written for intermediate courses that emphasize meaningful in-class communication and in-depth exploration of Francophone cultures. Thoroughly updated, the Fifth Edition offers an easy-to-follow structure that facilitates lesson planning and ease of progression through each chapter. The accompanying MANUEL DE PRÉPARATION offers independent grammar review and practice, allowing class time to be devoted to the culturally rich communicative activities found in the student textbook, MANUEL DE CLASSE. The new edition includes engaging new cultural readings, songs related to one of the topics in each chapter, and the latest teaching and learning technologies. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Release on 2008-12-29 | by Jeannette D. Bragger,Donald B. Rice
Author: Jeannette D. Bragger,Donald B. Rice
Pubpsher: Cengage Learning
Structured for student success and organized for instructional flexibility, QUANT A MOI: TÉMOIGNAGES DES FRANÇAIS ET DES FRANCOPHONES, 4e is written for intermediate courses that emphasize meaningful in-class communication and in-depth exploration of Francophone cultures. Now even more user-friendly, the Fourth Edition offers a clearer and simpler structure that facilitates lesson planning and ease of progression through each chapter. It utilizes an easy-to-use MANUEL DE PRÉPARATION for independent grammar review and practice, allowing class time to be devoted to the culturally rich communicative activities found in the student textbook, MANUEL DE CLASSE. The text's easy-to-follow process approach to speaking and writing helps students effectively develop communication skills and prepares them for upper-level work. The new edition also includes extended listening comprehension practice, expanded grammar coverage, more opportunities for class discussion, and the latest teaching and learning technologies. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Working in cities from Liverpool and Glasgow to Paris and New York, the interventionist artist transforms ordinary urban spaces, disrupting everyday life in ways that reinvent the way we encounter and experience art and compelling people to act and think differently about the world around them. Providing incisive new insights into the work and life of the artist,Cultural Hijack examines how these artists use the city as a playground, a stage, or an instrument for unsanctioned artworks, informal creative practices, activist interventions, and political actions. Drawing on a series of essays, personal testimonies, and original interviews from artists such as Tatsuro Bashi, BGL, Gelitin, Michael Rakowitz, and Krzysztof Wodiczko, this illuminating work enlarges our understanding of the creative process and how artists are developing new weapons in the arsenal of critical resistance, both emancipating and expanding the spaces of artistic and cultural production.