Two young men - Jago and Marcantonio - both studying business and finance: Jago is a kid from a rough part of London who has worked hard to get a job in a bank and is now on a fast-track secondment to the Berlin office. Marcantonio is one of the new generation in the 'Ndrangheta crime families from Calabria, Southern Italy. He is in Germany to learn how to channel their illicit millions towards legitimate businesses all over Europe. When Jago witnesses Marcantonio commit a vicious assault and the police seem uninterested, the Englishman refuses to let the matter drop. But by pursuing the gangster to his grandfather's mountain lair, Jago is stepping into the middle of a delicate surveillance operation, which sets alarm bells ringing in Rome, London and Berlin. It also leads him to Consolata, a young woman who sees in Jago the chance to turn her non-violent protest campaign against the crime families into something altogether more lethal... NO MORTAL THING is novel of relentless power and mounting suspense, a brilliant portrayal of organised crime in Europe and the under-resourced men and women who fight it.
Robert Fitzgerald's is the best and best-loved modern translation of The Odyssey, and the only one admired in its own right as a great poem in English. Fitzgerald's supple verse is ideally suited to the story of Odysseus' long journey back to his wife and home after the Trojan War. Homer's tale of love, adventure, food and drink, sensual pleasure, and mortal danger reaches the English-language reader in all its glory.
It is early in the fourth century AD, and Christianity has become a religion in search of a theology. Roman persecution has ended, but doctrinal debates threaten to tear the church apart as the early church fathers strive to solve a mystery inherited from their apostolic tradition: how both Father and Son might be thought of as God, and yet as distinct, without doing violence to the tenet that God is One. Enter Arius, a Libyan priest who comes to Alexandria to preach an answer: that the Son of God is a created being of a different substance than the Father, and not fully divine. When the Archbishop condemns his teachings and banishes him from the city, Arius' local apostacy expands into a worldwide schism as bishops and clergy throughout the Mediterranean world take sides. Desperate to use the religion as a force for political unity, the Christian emperor Constantine calls a convention of bishops at Nicaea to resolve the dispute. As debate begins, a consensus answer seems out of reach--until a young Alexandrian deacon presses a solution that will forever shape orthodoxy in a different direction.
This collection brings together all of W. B. Yeats’s published prose writings on Irish folklore, legend and myth, with pieces on subjects including ghosts, kidnappers, fairies, ancient tribes, precious stones and Gaelic love songs. Through his researches on Irish folklore, Yeats attempted to create a movement in literature that was enriched by and rooted in a vital native tradition. In this volume Yeats’s essays, introductions and sketches are presented chronologically, giving a clear picture of how his analysis developed, increasing in its depth and complexity in his quest to create an Ireland of the imagination.