'Jane Austen is a genius, and Northanger Abbey is hugely underrated' Martin Amis With its irrepressible heroine and playful literary games, Northanger Abbey is the most youthful and optimistic of Jane Austen's novels. It tells the story of young, impressionable Catherine Morland, whose first experience of fashionable society introduces her to the thrills of Gothic romances, and to the sophisticated Tilneys, who invite her to their family home, Northanger Abbey. But there, influenced by novels of horror and intrigue, Catherine begins to think that terrible crimes are being committed, and her imagination threatens to run away with her. Edited with an Introduction by MARILYN BUTLER
Taken from the poverty of her parents' home in Portsmouth, Fanny Price is brought up with her rich cousins at Mansfield Park, acutely aware of her humble rank and with her cousin Edmund as her sole ally. During her uncle's absence in Antigua, the Crawford's arrive in the neighbourhood bringing with them the glamour of London life and a reckless taste for flirtation. Mansfield Park is considered Jane Austen's first mature work and, with its quiet heroine and subtle examination of social position and moral integrity, one of her most profound.
'Her masterpiece, mixing the sparkle of her early books with a deep sensibility' Robert McCrum, Observer Although described by Jane Austen as a character 'whom no one but myself will much like', the irrepressible Emma Woodhouse is one of her most beloved heroines. Clever, rich and beautiful, she sees no need for marriage, but loves interfering in the romantic lives of others, until her matchmaking plans unravel, with consequences that she never expected. Jane Austen's novel of youthful exuberance and gradual self-knowledge is a brilliant, sparkling comic masterpiece. Edited with an Introduction by FIONA STAFFORD
Essay from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Duisburg-Essen, 4 entries in the bibliography, language: English, abstract: Why is Jane Austen's Northanger Abbey often referred to as a parody of the Gothic novel?_ Jane Austen (1775-1817) is often regarded as the greatest English female novelist. Her novels are praised for their underlieing social comedy and thorough description of human relationships. She lived and worked during a time predominated by novels of sentiment, sensation and sensibility. However she stayed aloof from this literary style and especially her novel Northanger Abbey is often regarded to as a parody of the Gothic novel. Main authors of these so called 'Gothic' romances are for example Ann Radcliffe, Horace Walpole and M.G. Lewis. The Gothic novel has its origins in the Middle Ages and deals with mysterious, frightening, fantastic, supernatural, sexual and sublime things. The stories seem rather ridiculous to us today. The reader always finds similar characters and plots in those novels: "the tyrannical father, the importunate and unscrupulous suitor, the hero and heroine of sensibility and of mysterious but noble birth, the confidante[...], the chaperone."1 The heroine is always unbelievable beautiful but weak and virtuous. Then she is threatened by a veil man and saved by the hero in the end. In contrast to such a story Jane Austen's Northanger Abbey is often considered as a "amusing and bitingly satirical pastiche of the 'Gothic' romances popular in her day."2 [...] _____ 1 Mudrick, Marvin: Irony versus Gothicism. In: Jane Austen: Northanger Abbey and Persuasion. Edited by B.C. Southam. MacMillan Education Ltd. Hampshire, London. 1986 (Casebook Series); page 75 2 Austen, Jane: Northanger Abbey. Penguin Popular Classics. London. 1994; blurb
One of the BBC's '100 Novels That Shaped Our World' 'The best-loved book by our best-loved novelist' Independent With its 'light and bright and sparkling' dialogue, its romantic denouement and its lively heroine, Pride and Prejudice is Jane Austen's most perennially popular novel. The love story of Elizabeth Bennet and Fitzwilliam Darcy, who misjudge, then challenge and change each other, is also a novel about the search for happiness and self- knowledge in a world of strict social rules, where a woman must marry well to survive. Edited with an introduction and notes by VIVIEN JONES
Now in Penguin Classics Deluxe: a treasure trove of Jane Austen's novels Few novelists have conveyed the subtleties and nuances of their own social milieu with the wit and insight of Jane Austen. Here in one volume are her seven great novels: Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, Persuasion, and Lady Susan. Through her vivacious and spirited heroines and their circle, Austen vividly portrays English middle-class life as the eighteenth century came to a close and the nineteenth century began. Each of the novels is a love story and a story about marriage—marriage for love, for financial security, for social status. But they are not romances; ironic, comic, and wise, they are masterly evocations of the society Jane Austen observed. This beautiful volume covers the literary career of one of England’s finest prose stylists of any century. • A Penguin Classics Deluxe Edition with French flaps and luxurious packaging • Features the definitive Penguin Classics texts recommended by the Jane Austen Society • New introduction by bestselling author of The Jane Austen Book Club Karen Joy Fowler For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
'In Persuasion, Jane Austen is beginning to discover that the world is larger, more mysterious, and more romantic than she had supposed' Virginia Woolf Jane Austen's moving late novel of missed opportunities and second chances centres on Anne Elliot, no longer young and with few romantic prospects. Eight years earlier, she was persuaded by others to break off her engagement to poor, handsome naval captain Frederick Wentworth. What happens when they meet again is movingly told in Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension, and a mature, tender love story tinged with heartache. Edited with an Introduction by Gillian Beer
Release on 2017-10-17 | by Emily Midorikawa,Emma Claire Sweeney
The Literary Friendships of Jane Austen, Charlotte Brontë, George Eliot, and Virginia Woolf
Author: Emily Midorikawa,Emma Claire Sweeney
Pubpsher: Houghton Mifflin Harcourt
Category: Biography & Autobiography
Male literary friendships are the stuff of legend, but what about the friendships of women writers? A Secret Sisterhood, drawing on letters and diaries, some never published before, brings to light a wealth of surprising female collaborations: the friendship between Jane Austen and one of the family servants, amateur playwright Anne Sharp; the daring feminist author Mary Taylor, who shaped the work of Charlotte Brontë; the transatlantic friendship of the seemingly aloof George Eliot and the ebullient Harriet Beecher Stowe; and Virginia Woolf and Katherine Mansfield, most often portrayed as bitter foes, but who, in fact, enjoyed a complex friendship. They were sometimes scandalous and volatile, sometimes supportive and inspiring, but always—until now—tantalizingly consigned to the shadows.
Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.