Release on 2019-05-27 | by Amy J. Ransom,Dominick Grace
Bridging the Solitudes
Author: Amy J. Ransom,Dominick Grace
Category: Literary Criticism
Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement.
Release on 2019-11-28 | by Anna McFarlane,Lars Schmeink,Graham Murphy
Author: Anna McFarlane,Lars Schmeink,Graham Murphy
Category: Literary Criticism
In this companion, an international range of contributors examine the cultural formation of cyberpunk from micro-level analyses of example texts to macro-level debates of movements, providing readers with snapshots of cyberpunk culture and also cyberpunk as culture. With technology seamlessly integrated into our lives and our selves, and social systems veering towards globalization and corporatization, cyberpunk has become a ubiquitous cultural formation that dominates our twenty-first century techno-digital landscapes. The Routledge Companion to Cyberpunk Culture traces cyberpunk through its historical developments as a literary science fiction form to its spread into other media such as comics, film, television, and video games. Moreover, seeing cyberpunk as a general cultural practice, the Companion provides insights into photography, music, fashion, and activism. Cyberpunk, as the chapters presented here argue, is integrated with other critical theoretical tenets of our times, such as posthumanism, the Anthropocene, animality, and empire. And lastly, cyberpunk is a vehicle that lends itself to the rise of new futurisms, occupying a variety of positions in our regionally diverse reality and thus linking, as much as differentiating, our perspectives on a globalized technoscientific world. With original entries that engage cyberpunk’s diverse ‘angles’ and its proliferation in our life worlds, this critical reference will be of significant interest to humanities students and scholars of media, cultural studies, literature, and beyond.
This study of French-language science fiction from Canada provides an introduction to the subgenre known as "SFQ" (science fiction from Quebec), demonstrating how these multivolume narratives of colonization and postcolonial societies exploit themes incl
Release on 1996 | by Mary E. Bond,Martine M. Caron,Bibliothèque nationale du Canada,National Library of Canada
An Annotated Bibliography : General Reference Works, History, Humanities
Author: Mary E. Bond,Martine M. Caron,Bibliothèque nationale du Canada,National Library of Canada
Pubpsher: UBC Press
Category: Language Arts & Disciplines
This bibliography cites those Canadian and foreign reference sources that describe Canadian people, institutions, organizations, publications, art, literature, languages, and history. It lists books of a general nature as well as works in the disciplines of history and the humanities. These large divisions are then broken down by subject, genre, type of document, and province or territory. Titles of national, provincial/territorial, or regional interest are included in every subject area when available. The contents of the book are indexed four ways: by name, title, French subject, and English subject. And to facilitate browsing, the major reference books (those dealing with more than one subject or a large geographical region) are also cross-referenced.
Release on 2005 | by Janis L. Pallister,Ruth A. Hottell
Author: Janis L. Pallister,Ruth A. Hottell
Pubpsher: Peter Lang
Category: Performing Arts
"French-Speaking Women Documentarians" is a guide for teachers of French and others interested in selecting and researching the work of female French-speaking documentarians. Represented in this book are filmmakers from Canada, various African nations, the Antilles, Lebanon, Switzerland, Belgium, and several other countries, with emphasis on Agnes Varda of France - arguably the greatest female documentarian of all. The book includes information on each filmmaker, classified by country of origin, and lists and describes her works, giving factual information such as date, duration, credits, and synopses, and pointing out critical treatments, both in English and in French, of her most important films. Shorts, docudramas, and works of animation are also discussed, as they, too, reflect history and culture. This guide will lead to the viewing of films that shed understanding on the culture being portrayed and to a greater appreciation of the contribution of French-speaking women filmmakers to this important, if not always objective, film genre."