As her first London Season looms before her, the thought of the impending social whirl fills Daphne Lancaster's timid heart with dread. She hasn't her sisters beauty nor their talent for conversing easily. Even her family's enviable connections may not be enough to prevent disaster. But Daphne's misery turns to surprised delight when the first event of her Season brings an unexpected visitor to her door--James Tilburn, whose tender kindness stole her heart in her youth. When the handsome young gentleman expresses his desire to court her, Daphne is elated. Their feelings for each other quickly grow, and it appears that, much to Daphne's disbelief, her happily ever after is within reach. Yet nothing is as it seems. The couple finds themselves caught in a tangled web of greed and deceit, leaving James and Daphne to determine whether they are willing to risk everything for true love.
"Brett, who has written a critical study of postmodern fiction, has hit upon an immensely interesting concept for her debut novel, one that allows her to dig deep into psychology, philosophy, physics, and, most importantly, politics as Daphne shakes Garrett out of his indifference toward the cultural turmoil of the late '60s." --Kirkus Reviews "This absorbing novel vividly mines the physics and psychology of reality, and the reader's reward is a moving story of love and loss." --Hilma Wolitzer, author of An Available Man "With artful storytelling and emotional insightfulness, The Schrödinger Girl engages us in the ultimate mysteries confronting humans: those locked up in physical reality, in the interiority of others, and in one's own perplexed and longing heart." --Rebecca Newberger Goldstein, author of 36 Arguments for the Existence of God: A Work of Fiction "Laurel Brett takes us on a trip down those foggy ruins of time to unlock the secrets and mysteries of the human heart and discover why we love and how we love. The voice here is distinctive and authentic, and we find ourselves back in that era of magic and change. This is vibrant and engaging storytelling." --William McKeen, author of Outlaw Journalist: The Life and Times of Hunter S. Thompson Garrett Adams, an uptight behavioral psychology professor who refuses to embrace the 1960s, is in a slump. The dispirited rats in his latest experiment aren't yielding results, and his beloved Yankees are losing. As he sits at a New York City bar watching the Yanks strike out, he knows he needs a change. At a Columbus Circle bookstore he meets a mysterious young woman, Daphne, who draws him into the turbulent and exciting world of Vietnam War protest politics and the music of Bob Dylan and the Beatles. He starts to emerge from the numbness and grief over his father's death in World War II. When Daphne evolves into four separate versions of herself, Garrett's life becomes complicated as he devotes himself to answering questions about character and destiny raised by her iterations. His obsession threatens to upend his relationship with Caroline, a beautiful art historian, destroy his teaching job, and dissolve his friendship with his old pal Jerry. The Daphnes seem to exist in separate realities that challenge the laws of physics and call into question everything Garrett thought he knew. He must decide what is vision, what is science, and what is delusion.
In American popular culture, Marilyn Monroe(1926-1962) has evolved in stature from movie superstar to American icon. Monroe's own understanding of her place in the American imagination and her effort to perfect her talent as an actress are explored with great sensitivity in Carl Rollyson's engaging narrative. He shows how movies became crucial events in the shaping of Monroe's identity. He regards her enduring gifts as a creative artist, discussing how her smaller roles in The Asphalt Jungle and All About Eve established the context for her career, while in-depth chapters on her more important roles in Bus Stop, Some Like It Hot, and The Misfits provide the centerpiece of his examination of her life and career. Through extensive interviews with many of Monroe's colleagues, close friends, and other biographers, and a careful rethinking of the literature written about her, Rollyson is able to describe her use of Method acting and her studies with Michael Chekhov and Lee Strasberg, head of the Actors' Studio in New York. The author also analyzes several of Monroe's own drawings, diary notes, and letters that have recently become available. With over thirty black and white photographs (some published for the first time), a new foreword, and a new afterword, this volume brings Rollyson's 1986 book up to date. From this comprehensive, yet critically measured wealth of material, Rollyson offers a distinctive and insightful portrait of Marilyn Monroe, highlighted by new perspectives that depict the central importance of acting to the authentic aspects of her being.
A Critical Analysis of The Prisoner, Twin Peaks, The X-Files, Buffy the Vampire Slayer, Lost, Heroes, Doctor Who and Star Trek
Author: Sue Short
Category: Performing Arts
From The Prisoner in the 1960s to the more recent Heroes and Lost, a group of television series with strong elements of fantasy have achieved cult status. Focusing on eight such series, this work analyzes their respective innovations and influences. Assessing the strategies used to promote “cult” appeal, it also appraises increased opportunities for interaction between series creators and fans and evaluates how television fantasy has utilized transmedia storytelling. Notable changes within broadcasting are discussed to explain how challenging long-form dramas have emerged, and why telefantasy has transcended niche status to enjoy significant prominence and popularity.
Lafayette O'Leary, to his acute discomfiture, has an exhilarating and terrifying tendency to slip continua. And what might that mean? It might mean finding oneself a gypsy with a ring in his ear at one moment, and then suddenly a crippled birdman unable to leave his nest because of the awkward loss of teleporting talent. It might mean battling one's way back to the time stream where he started - only to find himself already there, lording it over the populace like a tyrant.
Penelope Featherington has secretly adored her best friend's brother for . . . well, it feels like forever. After half a lifetime of watching Colin Bridgerton from afar, she thinks she knows everything about him, until she stumbles across his deepest secret . . . and fears she doesn't know him at all. Colin Bridgerton is tired of being thought nothing but an empty-headed charmer, tired of everyone's preoccupation with the notorious gossip columnist Lady Whistledown, who can't seem to publish an edition without mentioning him in the first paragraph. But when Colin returns to London from a trop aboard he discovers notyhing in his life is quite the same—especially Penelope Featherington! The girl haunting his dreams. But when he discovers that Penelope has secrets of her own, this elusive bachelor must decide . . . is she his biggest threat—or his promise of a happy ending?
"The masterful wedding of the narrative and the lyric in these poems (whose subject is the maturation of a sensibility, the coming-of-age of a young Englishwoman--the power of her ties to family, husband and her 'adopted' country, Nigeria--as well as the illumination of her own soul and that of the narrator's) fills the reader with both sorrow and wonder. It is an instructive tale for our age--its vision of the individual will and imagination resisting the madness of politics and the destruction of war is singular and profound." --Carol Muske-Dukes
This text is less a survey of the uses of history in modern South African fiction than a detailed claim for a kind of historical understanding which may emerge from fiction in the light of late-20th-century theory relating to both history and fiction.