Written by expert shibori teacher Jane Callender, this beautiful, practical book is packed with both traditional and inventive stitch-resist techniques, a complete dyeing guide and an inspirational gallery of Janes work. This book contains all the information a beginner will need to get started - including tips on dyeing in small spaces and a guide to all the necessary health and safety considerations - but is also packed with innovative techniques and inspiring designs that will appeal to the experienced textile artist. The book is broken into three sections. The first shows you all the key stitch-resist techniques you need - from the basics right through to creating intricate designs and all are clearly explained with photography and illustrations. Learn how to create a range of different shibori styles, oversew, make circles and other shapes, use grids, double needles, stencils and caps, bind fabrics, work with machine stitch, use fabric buffers and incorporate appliqu�. The second section shows you how to use motifs to create pattern: learn how to create and position designs, including traditional arrangements such as Karamatsu and Tatewaku, create composite designs and get tips on how to plan your own patterns. Finally, the book contains a complete guide to dyeing it contains recipes, tips and advice so that you can get the very best from every dye bath you make. Learn how to dye with both natural and synthetic indigo, in organic and synthetic vats. Also choose from a wide range of natural dyes, iron rust and dazzling Procion dyes, which can be used in combination or alone for amazing effects.
Potential for creating designs in textiles can be seen even in the physical properties of cloth. The simple fact that cloth tightly compressed into wrinkles or folds resists the penetration of dye is an opportunity-an opportunity to let the pliancy of textiles speak in making designs and patterns. People around the world have recognized this opportunity, producing resist designs in textiles by shaping and then securing cloth in various ways before dyeing. Yet in no other country has the creative potential of this basic principle been understood and applied as it has in Japan. Here, in fact, it has been expanded into a whole family of traditional resist techniques, involving first shaping the cloth by plucking, pinching, twisting, stitching, folding, pleating, and wrapping it, and then securing the shapes thus made by binding, looping, knotting, clamping, and the like. This entire family of techniques is called shibori. Designs created with shibori processes all share a softness of outline and spontaneity of effect. Spontaneity is shibori's special magic, made possible by exploiting the beauty of the fortuitous things that happen when dye enters shaped cloth. Usually it is in response to the fact that a craft is being lost that the need for preserving and documenting it arises. The motivation behind this book is no exception, but the authors have gone far beyond simple documentation. Extensive research and experimentation have led to the revival here of shibori techniques that were once well known but have now been largely forgotten in Japan. In addition to more conventional techniques, the work of contemporary fiber artists in Japan and abroad in shibori textile art and wearable art is presented, to suggest the extent of the creative innovation possible. The 104 color and 298 black-and-white plates include a photographic Gallery of Shibori Examples, based on Japan's largest collection of traditional shibori fabrics. Included also are a detailed guide to basic natural dyes used in Japan, the making and care of an indigo vat, and a list of suppliers in North America, as well as a glossary and bibliography. Now available in paperback, this full documentation of one of the world's most inventive and exciting dyeing techniques continues as a classic in the textile field.
Release on 2018-10-03 | by Gianni Montagna,Cristina Carvalho
Proceedings of the 1st International Textile Design Conference (D_TEX 2017), November 2-4, 2017, Lisbon, Portugal
Author: Gianni Montagna,Cristina Carvalho
Pubpsher: CRC Press
Category: Technology & Engineering
D_TEX presents itself as a starting point at a crossroads of ideas and debates around the complex universe of Textile Design in all its forms, manifestations and dimensions. The textile universe, allied to mankind since its beginnings, is increasingly far from being an area of exhausted possibilities, each moment proposing important innovations that need a presentation, discussion and maturation space that is comprehensive and above all inter- and transdisciplinary. Presently, the disciplinary areas where the textile area is present are increasing and important, such as fashion, home textiles, technical clothing and accessories, but also construction and health, among others, and can provide new possibilities and different disciplinary areas and allowing the production of new knowledge. D_TEX proposes to join the thinking of design, with technologies, tradition, techniques, and related areas, in a single space where ideas are combined with the technique and with the projectual and research capacity, thus providing for the creation of concepts, opinions, associations of ideas, links and connections that allow the conception of ideas, products and services. The interdisciplinary nature of design is a reality that fully reaches the textile material in its essence and its practical application, through the synergy and contamination by the different interventions that make up the multidisciplinary teams of research. The generic theme of D_TEX Textile Design Conference 2017, held at Lisbon School of Architecture of the University of Lisbon, Portugal on November 2-4, 2017, is Design the Future, starting from the crossroads of ideas and debates, a new starting point for the exploration of textile materials, their identities and innovations in all their dimensions.
64 New Techniques for Mixed Media, Surface Design & Embellishment • Featuring Lutradur®, TAP, Mul•Tex
Author: Rebekah Meier
Pubpsher: C&T Publishing Inc
Category: Crafts & Hobbies
In this follow-up to her bestselling first book, Fabric Art Collage—40+ Mixed Media Techniques, Rebekah Meier inspires you even more to stretch the boundaries of fabrics, papers, and fibers. Explore more than 60 new surface-design techniques with 7 richly layered projects. Learn how to combine creative processes like resists and image transfers with unique surfaces, embellishments, and found objects to create dimensional works of art. Transform everyday materials such as batting and foil into something even more extraordinary than you ever dreamed was possible! Mixed-media artists at any skill level will find something fresh and fascinating to try.
A sequel to the best-selling Shibori', this text provides a modern perspective on shaped-resist dyeing techniques in textile design. Japan's top fashion designers are examined, including Yohji Yamamoto and Issey Miyake and a 96-page section features the work of 24 international artists. A sequel to the best-selling 'Shibori', this text provides a modern perspective on shaped-resist dyeing techniques in textile design. Japan's top fashion designers are examined, including Yohji Yamamoto and Issey Miyake and a 96-page section features the work of 24 international artists.'
Innovation and Tradition in the Kyoto Textile Industry
Author: Jenny Hall
Pubpsher: Bloomsbury Publishing
In the ancient city of Kyoto, contemporary artisans and designers are using heritage techniques and traditional clothing aesthetics to reinvent wafuku (Japanese clothing, including kimono) for modern life. Japan Beyond the Kimono explores these shifts, highlighting developments in the Kyoto fashion industry such as its integration of digital weaving and printing techniques and the influence of social media on fashion distribution systems. Through case studies of designers, artisans, and retailers, Jenny Hall provides a comprehensive picture of the reasons behind the production and consumption of these rejuvenated fashion goods. She argues that conceptualisations of Japanese tradition include innovation and change, which is vital to understanding how Japanese cultural heritage is both sustained and evolving. Essential reading for students and scholars of fashion, anthropology, and Japanese studies, Jenny Hall's sensory ethnography is the first of its kind, describing the lived experiences of people in the Kyoto textiles industry, explaining the renewal of traditional techniques and styles, and placing them both within contexts such as transnational 'craftscapes' and fast or slow fashion systems.