The Bone People

Author: Keri Hulme
Publisher: LSU Press
ISBN: 9780807130728
Size: 48.49 MB
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Integrating both Maori myth and New Zealand reality, The Bone People became the most successful novel in New Zealand publishing history when it appeared in 1984. Set on the South Island beaches of New Zealand, a harsh environment, the novel chronicles the complicated relationships between three emotional outcasts of mixed European and Maori heritage. Kerewin Holmes is a painter and a loner, convinced that "to care for anything is to invite disaster." Her isolation is disrupted one day when a six-year-old mute boy, Simon, breaks into her house. The sole survivor of a mysterious shipwreck, Simon has been adopted by a widower Maori factory worker, Joe Gillayley, who is both tender and horribly brutal toward the boy. Through shifting points of view, the novel reveals each character's thoughts and feelings as they struggle with the desire to connect and the fear of attachment. Compared to the works of James Joyce in its use of indigenous language and portrayal of consciousness, The Bone People captures the soul of New Zealand. After twenty years, it continues to astonish and enrich readers around the world.

Constructing National Identity In Keri Hulme S The Bone People

Author: Vivienne Jahnke
Publisher: GRIN Verlag
ISBN: 3668161615
Size: 57.52 MB
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Master's Thesis from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Leipzig, language: English, abstract: This thesis analyses New Zealand writer Keri Hulme's novel "the bone people" and argues that she speaks to the core of her country’s postcolonial identity crisis – and in doing so compels her fellow New Zealanders to confront the social reality in their country and to enter into the discourse of who they want to be as a nation. Accordingly, this thesis is going to analyse Hulme’s writing strategies from a postcolonial viewpoint, exploring matters of identity construction on an individual as well as on a national level. Does her novel succeed as literature partaking in the nation-building process? A brief excursion into the realm of theory will provide the necessary framework for the analysis. After the in-depth discussion of "the bone people", a comparative approach in the form of a closer look at some contemporary New Zealand writers’ dealing with New Zealand’s postcolonial condition will provide additional depth. Works from some of New Zealand’s most renowned authors, Witi Ihimaera, Patricia Grace, Alan Duff and Eleanor Catton will be compared to "the bone people". Finally, a conclusion shall be drawn as to exactly how far New Zealand has come in its development as a country of bi- or even multiculturalism since the publication of "the bone people". It shall be discussed whether or not the novel's vision is one still relevant to New Zealand national identity today, whether the momentum the Maori gained in their agenda to revitalise their culture, out of which Hulme’s novel has sprung, had more than just a ceremonial effect on the country and consequently how Hulme’s vision is holding up to the reality of New Zealand in the twenty-first century.

Strands

Author: Keri Hulme
Publisher: Oxford University Press, USA
ISBN:
Size: 58.88 MB
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This second collection of poems by the Booker Prize-winning author of The Bone People is made up of three parts. The first poem, "Fishing the Olearia Tree," is a rich and moving exploration of natural processes. "Against Small Evil Voices" is a collection of chants, stories, and memories full of Maori elements and focused primarily on the strength of the family and the courage of women. Finally, "Winesongs" is a selection of more casual lyrics, attractive in expression and effortless in execution. Hulme's verse is loose, sometimes including passages of prose, but is shaped by a powerful romantic drive and a sophisticated attention to the behavior of language.

Imagination And The Creative Impulse In The New Literatures In English

Author: Maria Teresa Bindella
Publisher: Rodopi
ISBN: 9789051833102
Size: 25.14 MB
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Imagination and the Creative Impulse in the New Literatures in English brings together the proceedings of a symposium organised by the editors at the University of Trento in 1990. At a time when the study of the post-colonial literatures is gaining more widespread recognition, scholars based mainly at universities in Italy and Germany were invited to address the manner in which writers are giving literary expression to the complexity of contemporary post-colonial and multicultural societies and to consider, from their differing perspectives on the new literatures, central questions of formal experimentation, linguistic innovation, social and political commitment, textual theory and cross-culturality. Focusing on such major writers such as Achebe, Soyinka and Walcott, as well as on lesser-known figures such as Jack Davis, Witi Ihimaera, Rohinton Mistry and Manohar Malgonkar, the contributors take up many themes characteristic of the new literatures: the challenge posed to traditional authority, the expression of national identity, the role of literature in the liberation struggle, modes of literary practice in multicultural societies; the relationship of the new literatures in English to that of the former metropolitan centre; and the complex intertextuality characterizing much of the literary production of post-colonial societies.

The Circle The Spiral

Author: Eva Rask Knudsen
Publisher: Rodopi
ISBN: 9789042010581
Size: 59.49 MB
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In Aboriginal and Maori literature, the circle and the spiral are the symbolic metaphors for a never-ending journey of discovery and rediscovery. The journey itself, with its indigenous perspectives and sense of orientation, is the most significant act of cultural recuperation. The present study outlines the fields of indigenous writing in Australia and New Zealand in the crucial period between the mid-1980s and the early 1990s – particularly eventful years in which postcolonial theory attempted to 'centre the margins' and indigenous writers were keen to escape the particular centering offered in search of other positions more in tune with their creative sensibilities. Indigenous writing relinquished its narrative preference for social realism in favour of traversing old territory in new spiritual ways; roots converted into routes.Standard postcolonial readings of indigenous texts often overwrite the 'difference' they seek to locate because critical orthodoxy predetermines what 'difference' can be. Critical evaluations still tend to eclipse the ontological grounds of Aboriginal and Maori traditions and specific ways of moving through and behaving in cultural landscapes and social contexts. Hence the corrective applied in Circles and Spirals – to look for locally and culturally specific tracks and traces that lead in other directions than those catalogued by postcolonial convention.This agenda is pursued by means of searching enquiries into the historical, anthropological, political and cultural determinants of the present state of Aboriginal and Maori writing (principally fiction). Independent yet interrelated exemplary analyses of works by Keri Hulme and Patricia Grace and Mudrooroo and Sam Watson (Australia) provided the 'thick description' that illuminates the author's central theses, with comparative side-glances at Witi Ihimaera, Heretaunga Pat Baker and Alan Duff (New Zealand) and Archie Weller and Sally Morgan (Australia).

Indigenous Literature Of Oceania

Author: Nicholas J. Goetzfridt
Publisher: Greenwood Publishing Group
ISBN: 9780313291739
Size: 53.11 MB
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Contains bibliographic data and short summaries of texts that comment on fiction, poetry, and plays written by Pacific Islanders.

Reading Pakeha

Author: Christina Stachurski
Publisher: Rodopi
ISBN: 9042026456
Size: 55.21 MB
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Aotearoa New Zealand, "a tiny Pacific country," is of great interest to those engaged in postcolonial and literary studies throughout the world. In all former colonies, myths of national identity are vested with various interests. Shifts in collective Pakeha (or New Zealand-European) identity have been marked by the phenomenal popularity of three novels, each at a time of massive social change. Late-colonialism, anti-imperialism, and the collapse of the idea of a singular 'nation' can be traced through the reception of John Mulgan's "Man Alone "(1939), Keri Hulme's "the bone people "(1983), and Alan Duff's "Once Were Warriors "(1990). Yet close analysis of these three novels also reveals marginalization and silencing in claims to singular Pakeha identity and a linear development of settler acculturation. Such a dynamic resonates with that of other 'settler' cultures - the similarities and differences telling in comparison. Specifically, "Reading Pakeha? Fiction and Identity in Aotearoa New Zealand "explores how concepts of race and ethnicity intersect with those of gender, sex, and sexuality. This book also asks whether 'Pakeha' is still a meaningful term.

World Class Women

Author: Robin Truth Goodman
Publisher: Routledge
ISBN: 113400074X
Size: 52.96 MB
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World, Class, Women begins the extraordinarily important task of bringing a postcolonial, feminist voice to critical pedagogy and, by extension explores how current debates about education could make a contribution to feminist thought. Robin Truth Goodman deftly weaves together the disciplines of literature, postcolonialism, feminism, and education in order to theorize how the shrinking of the public sphere and the rise of globalization influence access to learning, what counts as knowledge, and the possibilities of a radical feminism.

Strange Love

Author: Robin Truth Goodman
Publisher: Rowman & Littlefield
ISBN: 0742516350
Size: 51.12 MB
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As Junk Bond felon Michael Milken attempts to transform public education on the model of the HMO, he is hailed in the mainstream press as having "done more to help mankind than Mother Theresa." Even as BP Amoco, a notorious U.S. polluter, is charged with funding and arming paramilitaries in Colombia, it freely distributes science curricula that portrays itself as a loving protector of citizens from a dangerous and 'out of control' nature. These as well as many other examples abound as Professors Robin Truth Goodman and Kenneth J. Saltman take on the corporate educators, media monopolies, and oil companies in their new book Strange Love: How We Learn to Stop Worrying and Love the Market. Saltman and Goodman show how corporate-produced curricula, films, and corporate-promoted books often use depictions of family love, childhood innocence, and compassion in order to sell the public on policies that ironically put the profit of multinational corporations over the well-being of people. In doing so Goodman and Saltman reveal the extent to which globalization depends upon education and also show how battles over culture, language, and the control of information are matters of life, death, and democracy.

Time Of The Locust

Author: Morowa Yejide
Publisher: Simon and Schuster
ISBN: 1476731373
Size: 74.65 MB
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A deeply imaginative debut novel about a family in crisis, Time of the Locust “deftly brings together the fantastic and the realistic, and touches on a variety of issues, from politics, race, and murder to disability, domestic tragedy, and myth…[and] spins them with gold and possibility” (The Washington Post). Sephiri is an autistic boy who lives in a world of his own making, where he dwells among imagined sea creatures that help him process information in the “real world” in which he is forced to live. But lately he has been having dreams of a mysterious place, and he starts creating fantastical sketches of this strange, inner world. Brenda, Sephiri’s mother, struggles with raising her challenged child alone. Her only wish is to connect with him—a smile on his face would be a triumph. Sephiri’s father, Horus, is serving a life sentence in prison, making the days even lonelier for Brenda and Sephiri. Yet prison is still not enough to separate father and son. In the seventh year of his imprisonment and at the height of his isolation, Horus develops extraordinary mental abilities that allow him to reach his son. Memory and yearning carry him outside his body, and through the realities of their ordeals and dreamscape, Horus and Sephiri find each other—and find hope in ways never imagined. Deftly portrayed by the remarkably talented Morowa Yejidé, this “unique and astounding debut” (New York Times bestselling author Lalita Tademy) is a harrowing, mystical, and redemptive journey toward the union of a family.