The Fourth Book of Occult Philosophy, by Henry Cornelius Agrippa and unnamed others, is considered one of the cornerstones of Western magic, and the grimoires it contains are among the most important that exist in the Western tradition. For more than three hundred years, this mysterious tome has been regarded as difficult or even impossible to understand—until now. Occult scholar Donald Tyson presents a fully annotated, corrected, and modernized edition of Stephen Skinner's 1978 facsimile edition of the original work, which was six tracts published as one volume in 1655. For the first time, these classic works of Western magic have been rendered fully accessible to the novice practitioner, as well as occult scholars and skilled magicians. Tyson presents clear instruction and practical insight on a variety of magic techniques, providing contemporary magicians with a working grimoire of the arcane. - Astrology - History - Geomancy - Ceremonial Magic - The Nature of Spirits, Angels, and Demons - Geomantic Astronomy - Necromancy - Invocation and Evocation of Spirits
Release on 1992-01-01 | by Henry Cornelius Agrippa
Author: Henry Cornelius Agrippa
Pubpsher: Kessinger Publishing
Category: Body, Mind & Spirit
Of Geomancy, Magical Elements, Astrological Geomancy, the Nature of Spirits, Magic of the Ancients. Contents: Commendatory Poems; Of Geomancy; Of Occult Philosophy, or Of Magical Ceremonies: The Fourth Book, Henry Cornelius Agrippa; Heptameron: or, Magical Elements, Peter de Abano; Isagoge: An Introductory Discourse on the Nature of such Spirits as are exercised in the Sublunary Bounds; their Original, Names, Offices, Illusions, Posers, Prophecies, Miracles; and how they may be Expelled and Driven away, Georg Pictorius Villinganus; Of Astronimical Geomancy, Gerard Ceremonensis; Of the Magick of the Ancients, Arbatel.
The Fourth Book of Occult Philosophy must be first by the reader set aside from the triplicate works of Heinrich Agrippa, the famous Three Books of the same, by virtue of its manufacture- generally considered not to have been penned by Agrippa himself but rather by others influenced by his work. Running the gamut from celestial notations to summoning in a sense not normally seen until a century later, this fourth book is no less a genuine grimoire than any of the texts dubiously ascribed to Moses, Solomon, Adam, Hermes, and other major figures within Renaissance magick. Its pages contain a great deal of occult lore, especially with regards to the classification of, and sigils made for, various spiritual entities- both divine and infernal, as well as those natural forces usually classed aside from both of the same.