The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us.
Summary of The Orphan Master's Son: A Novel (Pulitzer Prize for Fiction): Trivia/Quiz for Fans Features You'll Discover Inside: - A comprehensive guide to aid in discussion & discovery - 30 multiple choice questions on the book, plots, characters, and author - Insightful resource for teachers, groups, or individuals - Keep track of scores with results to determine "fan status" - Share with other book fans and readers for mutual enjoyment Disclaimer: This is an unofficial summary, analysis and trivia book to enhance a reader's experience to books they already love and appreciate. We encourage our readers to purchase the original book first before downloading this companion book for your enjoyment.
NATIONAL BOOK AWARD WINNER | WINNER OF THE STORY PRIZE | LOS ANGELES TIMES BOOK PRIZE FINALIST | A NEW YORK TIMES NOTABLE BOOK | NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE, USA TODAY, AND MIAMI HERALD | NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Marie Claire • St. Louis Post-Dispatch • BuzzFeed • The Daily Beast • Los Angeles Magazine • The Independent • BookPage • Kirkus Reviews Winner of the Pulitzer Prize for his acclaimed novel about North Korea, The Orphan Master’s Son, Adam Johnson is one of America’s most provocative and powerful authors. Critics have compared him to Kurt Vonnegut, David Mitchell, and George Saunders, but Johnson’s new book will only further his reputation as one of our most original writers. Subtly surreal, darkly comic, both hilarious and heartbreaking, Fortune Smiles is a major collection of stories that gives voice to the perspectives we don’t often hear, while offering something rare in fiction: a new way of looking at the world. In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. “Nirvana,” which won the prestigious Sunday Times short story prize, portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In “Hurricanes Anonymous”—first included in the Best American Short Stories anthology—a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. “George Orwell Was a Friend of Mine” follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind. Unnerving, riveting, and written with a timeless quality, these stories confirm Johnson as one of America’s greatest writers and an indispensable guide to our new century. Praise for Fortune Smiles “Masterful . . . Each [story] is a miniature demonstration of why his remarkable novel The Orphan Master’s Son won the 2013 Pulitzer Prize for fiction.”—The Washington Post “[Johnson] is always perceptive and brave; his lines always sing and strut and sizzle and hush and wash and blaze over the reader.”—The New York Times Book Review “Superb . . . explosive.”—The Wall Street Journal “Remarkable . . . the best short story collection since Tenth of December . . . Johnson is one of America’s greatest living writers.”—The Huffington Post “Haunting, harrowing . . . Johnson’s writing is as rich in compassion as it is in invention, and that rare combination makes Fortune Smiles worth treasuring.”—USA Today “[Blends] exotic scenarios, morally compromised characters, high-wire action, rigorously limber prose, dense thickets of emotion, and, most critically, our current techno-moment.”—The Boston Globe “Johnson’s boundary-pushing stories make for exhilarating reading.”—San Francisco Chronicle “Entrancing.”—O: The Oprah Magazine From the Hardcover edition.
The debut novel by the author of The Orphan Master's Son (winner of the 2013 Pulitzer Prize) and the story collection Fortune Smiles (winner of the 2015 National Book Award) Hailed as "remarkable" by the New Yorker, Emporium earned Adam Johnson comparisons to Kurt Vonnegut and T.C. Boyle. In his acclaimed first novel, Parasites Like Us, Johnson takes us on an enthralling journey through memory, time, and the cost of mankind's quest for its own past. Anthropologist Hank Hannah has just illegally exhumed an ancient American burial site and winds up in jail. But the law will soon be the least of his worries. For, buried beside the bones, a timeless menace awaits that will set the modern world back twelve thousand years and send Hannah on a quest to save that which is dearest to him. A brilliantly evocative apocalyptic adventure told with Adam Johnson's distinctive dark humor, Parasites Like Us is a thrilling tale of mankind on the brink of extinction.
* By the winner of the Pulitzer Prize for Fiction 2013 and the EFG/Sunday Times Best Short Story Award 2014 * 'An idiosyncratic and compelling voice' Michiko Kakutani, New York Times An ATF raid, a moonshot gone wrong, a busload of female cancer victims determined to live life to the fullest - these are some of the compelling themes explored in this funny, sad, brilliantly bizarre debut collection. A lovesick teenage Cajun girl, a gay astrophysicist, a teenage sniper on Los Angeles police payroll, a post apocalyptic bulletproof-vest salesman - each seeks connection and meaning in landscapes made uncertain by the voids parents and lovers should fill.
Release on 2015-10-06 | by Adam Johnson,826 National
Author: Adam Johnson,826 National
Pubpsher: Houghton Mifflin Harcourt
Category: Literary Collections
For the past year, a group of high school students met at a publishing house in San Francisco every Monday night to read literary magazines, chapbooks, graphic novels, and countless articles. This committee was assisted by a group of students that met in the basement of a robot shop in Ann Arbor, Michigan. Together, and under the guidance of guest editor Adam Johnson, these high schoolers selected the contents of The Best American Nonrequired Reading 2015. The writing in this book is very essential, if not required, like visiting the Louvre if you’re in Paris. In any case, nothing in this book takes place in Paris, as far as we can recall, but it does feature an elephant hunt, the fall of a reality-TV star, a walk through Ethiopia, and much more of what Johnson calls “the most important examinations in life.” The Best American Nonrequired Reading 2015 includes LESLEY NNEKA ARIMAH, DANIEL ALARCÓN, BOX BROWN, REBECCA CURTIS, VICTOR LODATO, CLAUDIA RANKINE, PAUL SALOPEK, PAUL TOUGH, WELLS TOWER and others Adam Johnson, guest editor, teaches creative writing at Stanford University. He is the author of Fortune Smiles, Emporium, Parasites Likes Us, and The Orphan Master’s Son, which was awarded the Pulitzer Prize in fiction. He has received a Whiting Writers’ Award and fellowships from the National Endowment for the Arts and the Guggenheim Foundation. His work has appeared in Esquire, Harper’s Magazine, Playboy, GQ, the Paris Review, Granta, Tin House, the New York Times, and The Best American Short Stories.
Winner of the 2016 Pulitzer Prize for Fiction Winner of the 2016 Edgar Award for Best First Novel Winner of the 2016 Andrew Carnegie Medal for Excellence in Fiction “[A] remarkable debut novel . . . [Nguyen] brings a distinctive perspective to the war and its aftermath. His book fills a void in the literature, giving voice to the previously voiceless . . . The nameless protagonist-narrator, a memorable character despite his anonymity, is an Americanized Vietnamese with a divided heart and mind. Nguyen’s skill in portraying this sort of ambivalent personality compares favorably with masters like Conrad, Greene, and le Carré. . . . Both thriller and social satire. . . . In its final chapters, The Sympathizer becomes an absurdist tour de force that might have been written by a Kafka or Genet.”—Philip Caputo, New York Times Book Review (cover review) The winner of the 2016 Pulitzer Prize for Fiction, as well as seven other awards, The Sympathizer is the breakthrough novel of the year. With the pace and suspense of a thriller and prose that has been compared to Graham Greene and Saul Bellow, The Sympathizer is a sweeping epic of love and betrayal. The narrator, a communist double agent, is a “man of two minds,” a half-French, half-Vietnamese army captain who arranges to come to America after the Fall of Saigon, and while building a new life with other Vietnamese refugees in Los Angeles is secretly reporting back to his communist superiors in Vietnam. The Sympathizer is a blistering exploration of identity and America, a gripping espionage novel, and a powerful story of love and friendship.
Literary studies still lack an extensive comparative analysis of different kinds of literature, including ancient and non-Western. How Literary Worlds Are Shaped. A Comparative Poetics of Literary Imagination aims to provide such a study. Literature, it claims, is based on individual and shared human imagination, which creates literary worlds that blend the real and the fantastic, mimesis and genre, often modulated by different kinds of unreliability. The main building blocks of literary worlds are their oral, visual and written modes and three themes: challenge, perception and relation. They are blended and inflected in different ways by combinations of narratives and figures, indirection, thwarted aspirations, meta-usages, hypothetical action as well as hierarchies and blends of genres and text types. Moreover, literary worlds are not only constructed by humans but also shape their lives and reinforce their sense of wonder. Finally, ten reasons are given in order to show how this comparative view can be of use in literary studies. In sum, How Literary Worlds Are Shaped is the first study to present a wide-ranging and detailed comparative account of the makings of literary worlds.
Winner of the 2013 Gival Press Novel Award / "An elegy for a lost father, an unforgettable fable of the power of art, Ghost Horse weaves a singular spell, captivating the reader and never letting go."--Adam Johnson, author of The Orphan Master's Son, winner of the Pulitzer Prize for Fiction / Set amidst the social tensions of 1970's Houston, Ghost Horse tells the story of eleven-year-old Buddy Turner's shifting alliances within his fragmented family and with two other boys--one Anglo, one Latino--in their quest to make a Super-8 animated movie. As his father's many secrets begin to unravel, Buddy discovers the real movie: the intersection between life as he sees it and the truth of his own past. In a vivid story of love, friendship, and betrayal, Ghost Horse explores a boy's swiftly changing awareness of himself and the world through the lens of imagination.
NAMED ONE OF THE MOST ANTICIPATED BOOKS OF 2019 BY NYLON, ELECTRIC LITERATURE, THE MILLIONS AND LITHUB "Artful, funny, generous and empathetic… Xuan Julian Wang is a radiant new talent.” —LAUREN GROFF The twelve stories in Xuan Juliana Wang’s remarkable debut collection capture the unheard voices of a new generation of Chinese youth. A generation for whom the Cultural Revolution is a distant memory, WeChat is king, and life glitters with the possibility of love, travel, technology, and, above all, new identities. Her characters stand at the threshold of bold and uncertain futures, navigating between their heritage and the chaos of contemporary life. In a crowded apartment on Mott Street, an immigrant family raises its first real Americans. At the Beijing Olympics, a pair of synchronized divers stands poised at the edge of success and self-discovery. And in New York, a father creates an algorithm to troubleshoot the problem of raising a daughter born into a world so different from his own. From fuerdai (second-generation rich kids) and livestream stars to a glass-swallowing qigong grandmaster, these stories upend the well-worn immigrant narrative to reveal a new experience of belonging: of young people testing the limits of who they are and who they will one day become, in a world as vast and varied as their ambitions. In dexterous, electric prose, Home Remedies reveals a dazzling imagination and announces the arrival of a beguiling new voice in American fiction.