It is through a deep reflection that I have been able to frame the title of this book, which is The Theatre of Love, Sex, Marriage and Beyond. In fact, the contents of this book take their roots from the title. This book is designed to cover as much as possible, a substantial number of the various aspects of the subjects I have discussed, as dealt with specifically by the innumerable authors at one time or the other. It is without the slightest doubt that not all or every aspect of the subjects of love, sex, and marriage—written or propounded by authors, researchers, psychologists, sexologists, and medical scientists—can be found in one book. These different and innumerable ideas, theories, hypothesis, and research findings are as scattered in uncountable books, articles, newsprints, or papers and magazines. I will, in all honesty, admit that what I have attempted to do in this book is only a tip of the iceberg, considering the infinitude of the intellectual input and output of others in the myriad of data on the subject. I have divided this book into four parts: love, sex, marriage, and the beyond. These notwithstanding, I hope this humble rendition, however inadequate, would give readers a general overview of the essentials of these enigmatic subjects of love, sex, marriage, and the beyond.
Release on 2003-09-02 | by Simon Barker,Hilary Hinds
Author: Simon Barker,Hilary Hinds
This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346
In all three Abrahamic faiths, Judaism, Christianity and Islam, marriage is part of God's plan for humanity, as illustrated in the Hebrew Scriptures, the New Testament, and the Koran as well as the religious literature of these three traditions
Weltschmerz is a study of the pessimism that dominated German philosophy in the second half of the nineteenth century. Pessimism was essentially the theory that life is not worth living. This theory was introduced into German philosophy by Schopenhauer, whose philosophy became very fashionable in the 1860s. Frederick C. Beiser examines the intense and long controversy that arose from Schopenhauer's pessimism, which changed the agenda of philosophy in Germany away from the logic of the sciences and toward an examination of the value of life. He examines the major defenders of pessimism (Philipp Mainlander, Eduard von Hartmann and Julius Bahnsen) and its chief critics, especially Eugen Duhring and the neo-Kantians. The pessimism dispute of the second half of the century has been largely ignored in secondary literature and this book is a first attempt since the 1880s to re-examine it and to analyze the important philosophical issues raised by it. The dispute concerned the most fundamental philosophical issue of them all: whether life is worth living.
Release on 2001-12 | by New York Times Theater Reviews
Author: New York Times Theater Reviews
Pubpsher: Taylor & Francis
Category: Performing Arts
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
The life story of the Victorian novelist George Eliot is asdramatic and complex as her best plots. This new assessment of herlife and work combines recent biographical research withpenetrating literary criticism, resulting in revealing newinterpretations of her literary work. A fresh look at George Eliot's captivating life story Includes original new analysis of her writing Deploys the latest biographical research Combines literary criticism with biographical narrative tooffer a rounded perspective
The Dramatic Lives of Ellen Terry, Henry Irving, and Their Remarkable Families
Author: Michael Holroyd
Pubpsher: Farrar, Straus and Giroux
Category: Biography & Autobiography
PLEASE NOTE: THIS EBOOK DOES NOT CONTAIN PHOTOS INCLUDED IN THE PRINT EDITION. Deemed "a prodigy among biographers" by The New York Times Book Review, Michael Holroyd transformed biography into an art. Now he turns his keen observation, humane insight, and epic scope on an ensemble cast, a remarkable dynasty that presided over the golden age of theater. Ellen Terry was an ethereal beauty, the child bride of a Pre-Raphaelite painter who made her the face of the age. George Bernard Shaw was so besotted by her gifts that he could not bear to meet her, lest the spell she cast from the stage be broken. Henry Irving was an ambitious, harsh-voiced merchant's clerk, but once he painted his face and spoke the lines of Shakespeare, his stammer fell away to reveal a magnetic presence. He would become one of the greatest actor-managers in the history of the theater. Together, Terry and Irving created a powerhouse of the arts in London's Lyceum Theatre, with Bram Stoker—who would go on to write Dracula—as manager. Celebrities whose scandalous private lives commanded global attention, they took America by stormin wildly popular national tours. Their all-consuming professional lives left little room for their brilliant but troubled children. Henry's boys followed their father into the theater but could not escape the shadow of his fame. Ellen's feminist daughter, Edy, founded an avant-garde theater and a largely lesbian community at her mother's country home. But it was Edy's son, the revolutionary theatrical designer Edward Gordon Craig, who possessed the most remarkable gifts and the most perplexing inability to realize them. A now forgotten modernist visionary, he collaborated with the Russian director Stanislavski on a production of Hamlet that forever changed the way theater was staged. Maddeningly self-absorbed, he inherited his mother's potent charm and fathered thirteen children by eight women, including a daughter with the dancer Isadora Duncan. An epic story spanning a century of cultural change, A Strange Eventful History finds space for the intimate moments of daily existence as well as the bewitching fantasies played out by its subjects. Bursting with charismatic life, it is an incisive portrait of two families who defied the strictures of their time. It will be swiftly recognized as a classic. Please note: This ebook edition does not contain photos and illustrations that appeared in the print edition.
Release on 2012-09-01 | by Mr Thomas S Freeman,Professor Thomas Betteridge
Author: Mr Thomas S Freeman,Professor Thomas Betteridge
Pubpsher: Ashgate Publishing, Ltd.
Henry VIII remains the most iconic and controversial of all English Kings. For over four-hundred years he has been lauded, reviled and mocked, but rarely ignored. In his many guises - model Renaissance prince, Defender of the Faith, rapacious plunderer of the Church, obese Bluebeard-- he has featured in numerous works of fact and faction, in books, magazines, paintings, theatre, film and television. Yet despite this perennial fascination with Henry the man and monarch, there has been little comprehensive exploration of his historiographic legacy. Therefore scholars will welcome this collection, which provides a systematic survey of Henry's reputation from his own age through to the present. Divided into three sections, the volume begins with an examination of Henry's reputation in the period between his death and the outbreak of the English Civil War, a time that was to create many of the tropes that would dominate his historical legacy. The second section deals with the further evolution of his reputation, from the Restoration to Edwardian era, a time when Catholic commentators and women writers began moving into the mainstream of English print culture. The final section covers the twentieth and twenty-first centuries, which witnessed an explosion of representations of Henry, both in print and on screen. Taken together these studies, by a distinguished group of international scholars, offer a lively and engaging overview of how Henry's reputation has been used, abused and manipulated in both academia and popular culture since the sixteenth century. They provide intriguing insights into how he has been reinvented at different times to reflect the cultural, political and religious demands of the moment; sometimes as hero, sometimes as villain, but always as an unmistakable and iconic figure in the historical landscape.
Thanks to the Internet, it has never been so easy to become the person of your wildest dreams. Immersive 3D worlds such as Second Life and THERE.com provide an escape route from the ordinary, into a virtual world where you have the power to mould your life in any way you please. Forget about walking, wheelchair users can fly. Pensioners wipe away the pains of age, discovering youthful exuberance and making young friends once more. No wonder it has become harder than ever to honestly answer the question: who am I? In Being Virtual, Davey Winder looks at how an increasing number of us are living part-real, part-virtual lives, and how it affects who we are. He looks at the opportunities and dangers that a virtual identity offers us, how we juggle our real and online lives, and what happens when one spills over into the other... He uses his own personal experiences to bring the issues to life, and backs them up with the real-life stories of others and testimony from the experts. Along the way, he looks at some fascinating questions such as: Are you a virtual liar? What happens when our virtual and real worlds collide? Why will you talk to anyone online, but nobody on the train to work? Why do so many middle-aged men transform into teenage girls online? Is it possible to have any secrets in such a connected world? Being Virtual gives a glimpse into the future of human identity, and is a must-read for anyone who uses the Internet to enhance - or escape from - their 'ordinary' life. About the author Davey Winder has been a freelance journalist for 16 years, and is Contributing Editor of the best-selling IT magazine, PC Pro. He has picked up many awards including Technology Journalist of the Year and IT Security Journalist of the Year. A founder member of the Internet Society of England and author of more than 20 books, his blog can be found at: http://happygeeknewmedia.blogspot.com/
Release on 2006 | by Lucy Delap,Maria DiCenzo,Leila Ryan
Author: Lucy Delap,Maria DiCenzo,Leila Ryan
Pubpsher: Taylor & Francis
The Edwardian period experienced a particularly vibrant periodical culture, with phenomenal growth in the numbers of titles published that were either aimed specifically at women, or else saw women as a key section of their readership or contributor group. It was an era of political ferment in which a number of 'progressive' traditions were formulated, shaped or abandoned, including socialism, feminism, modernism, empire politics, trade unionism and welfarism. Organized around some of the central themes of political thought and utopian thinking, this impressive collection gathers together classic articles from key periodicals. The set presents a comprehensive sourcebook of readings on Edwardian/Progressive era feminist thought, exploring the intervention of the radical public intellectuals working in these traditions in North America and the UK from 1900-1918.