NEW YORK TIMES BESTSELLER • USA TODAY BESTSELLER “Reader to reader, knitter to knitter: You’re going to love this book.”—Debbie Macomber For fans of Jennifer Chiaverini and Sarah Addison Allen, The Wishing Thread is an enchanting novel about the bonds between sisters, the indelible pull of the past, and the transformational power of love. The Van Ripper women have been the talk of Tarrytown, New York, for centuries. Some say they’re angels; some say they’re crooks. In their tumbledown “Stitchery,” not far from the stomping grounds of the legendary Headless Horseman, the Van Ripper sisters—Aubrey, Bitty, and Meggie—are said to knit people’s most ardent wishes into beautiful scarves and mittens, granting them health, success, or even a blossoming romance. But for the magic to work, sacrifices must be made—and no one knows that better than the Van Rippers. When the Stitchery matriarch, Mariah, dies, she leaves the yarn shop to her three nieces. Aubrey, shy and reliable, has dedicated her life to weaving spells for the community, though her sisters have long stayed away. Bitty, pragmatic and persistent, has always been skeptical of magic and wants her children to have a normal, nonmagical life. Meggie, restless and free-spirited, follows her own set of rules. Now, after Mariah’s death forces a reunion, the sisters must reassess the state of their lives even as they decide the fate of the Stitchery. But their relationships with one another—and their beliefs in magic—are put to the test. Will the threads hold? BONUS: This edition includes an excerpt from Lisa Van Allen’s The Night Garden. Praise for The Wishing Thread “With deft needlework, a dash of folklore, and some good old-fashioned family angst, Lisa Van Allen knits together the threads of second chances, the pleasure of giving, the complications of sisterhood, and love. There’s a bit of magic in The Wishing Thread, in the words and the story as well as in the yarn.”—Meg Waite Clayton, author of The Wednesday Sisters “Rich in myth and mystery, The Wishing Thread explores the tangle that is being a woman—from family and friendship to romance and community. Prepare to be ensnared, enthralled, enchanted!”—USA Today bestselling author Christie Ridgway “The Wishing Thread is a lyrical, emotional, finely knit portrayal of three sisters struggling with love, magic and sacrifice. This is the best book I’ve read all year.”—Lisa Verge Higgins, author of The Proper Care and Maintenance of Friendship “An intriguing story of three sisters tied by blood and a strange inheritance, each searching for a way to belong in that place where magic and life intersect. Wonderful!”—Shelley Noble, author of Beach Colors “Van Allen knits together this pleasantly entertaining tale as easily as the Van Ripper women knit together the often unraveling threads of people’s lives. . . . Chick-lit cozy meets magical realism with inevitably warm and fuzzy results.”—Booklist “Fans of magical realism will want to pick up this enjoyable novel, which not only weaves magic through stitchery, but also weaves a realistic story about family and sisterhood and the threads that pull us back home.”—RT Book Reviews Includes an exclusive conversation between Sarah Addison Allen and Lisa Van Allen. Join the Random House Reader’s Circle for author chats and more.
For fans of Sarah Addison Allen, Aimee Bender, and Alice Hoffman, The Night Garden is a luminous novel of love, forgiveness, and the possibilities that arise when you open your heart. Nestled in the bucolic town of Green Valley in upstate New York, the Pennywort farm appears ordinary, yet at its center lies something remarkable: a wild maze of colorful gardens that reaches beyond the imagination. Local legend says that a visitor can gain answers to life’s most difficult problems simply by walking through its lush corridors. Yet the labyrinth has never helped Olivia Pennywort, the garden’s beautiful and enigmatic caretaker. She has spent her entire life on her family’s land, harboring a secret that forces her to keep everyone at arm’s length. But when her childhood best friend, Sam Van Winkle, returns to the valley, Olivia begins to question her safe, isolated world and wonders if she at last has the courage to let someone in. As she and Sam reconnect, Olivia faces a difficult question: Is the garden maze that she has nurtured all of her life a safe haven or a prison? Praise for Lisa Van Allen’s The Wishing Thread “Reader to reader, knitter to knitter: You’re going to love this book.”—Debbie Macomber “Whimsical . . . great for fans of Sarah Addison Allen and Alice Hoffman.”—Library Journal Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
Release on 2003 | by Mendele Mokher Sefarim,S. Y. Abramovitsh
Author: Mendele Mokher Sefarim,S. Y. Abramovitsh
Pubpsher: Syracuse University Press
"In this work Michael Wex renders the time-honored tale with the skill and ease of a modern storyteller and humorist. Abramovitsh's artistry lies not in the plot but in the descriptions and ever-shifting narrative voice. Sometimes the narrator (Mendele the Book Peddler) speaks from within the shtetl and sometimes from outside; and often he interweaves the high rhetorical prose of Hershl himself, reborn by the novel's end as Heinrich Cohen."--Jacket.
What if everything you knew about your life was wrong? Years ago, Juliet Clark gave up her life in California to follow the man she loved to Mexico and pursue her dream of being an artist. Now her marriage is over, and she’s alone, selling watercolors to tourists on the Puerto Vallarta boardwalk. When her brother asks her to come home to wintery New England and care for their ailing mother, a flamboyant actress with a storied past, Juliet goes reluctantly. She and her self-absorbed mother have always clashed. Plus, nobody back home knows about her divorce—or the fact that she’s pregnant and her ex-husband is not the father. Juliet intends to get her mother back on her feet and return to Mexico fast, but nothing goes as planned. Instead she meets a man who makes her question every choice and reawakens her spirit, even as she is being drawn into a long-running feud between her mother and a reclusive neighbor. Little does she know that these relationships hold the key to shocking secrets about her family and herself that have been hiding in plain sight.… CONVERSATION GUIDE INCLUDED
This book presents a philosophical history of Tasmania’s past and present with a particular focus on the double stories of genocide and modernity. On the one hand, proponents of modernisation have sought to close the past off from the present, concealing the demographic disaster behind less demanding historical narratives and politicised preoccupations such as convictism and environmentalism. The second story, meanwhile, is told by anyone, aboriginal or European, who has gone to the archive and found the genocidal horrors hidden there. This volume blends both stories. It describes the dual logics of genocide and modernity in Tasmania and suggests that Tasmanians will not become more realistic about the future until they can admit a full recognition of the colonial genocide that destroyed an entire civilisation, not much more than 200 years ago.
Barnaby Skye, a pressed seaman in the Royal Navy, jumps ship at Fort Vancouver in 1826 with little more than the clothes on his back and a belaying pin for a weapon. Fighting for life, starving, hiding from his pursuers--the Hudson's Bay Company and the British Navy--he follows the Columbia River inland toward a fate he never anticipated. In a trapping brigade, Skye falls in with legendary mountain men such as Jim Bridger and Tom "Broken Hand" Fitzpatrick and in the fabled Rocky Mountains finds another unexpected turn in his life when he meets the Crow maiden, Many Quill Woman, who will become his wife. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Beautiful Rachel wants nothing more than for her older half sister Leah to wed and move out of their household. Maybe then she would not feel so scrutinized, so managed, so judged. Plain Leah wishes her father Laban would find a good man for her, someone who would love her alone and make her his only bride. Unbeknownst to either of them, Jacob is making his way to their home, trying to escape a past laced with deceit and find the future God has promised him. But the past comes back to haunt Jacob when he finds himself on the receiving end of treachery and the victim of a cruel bait and switch. The man who wanted only one woman will end up with sisters who have never gotten along and now must spend the rest of their lives sharing a husband. In the power struggles that follow, only one woman will triumph . . . or will she? Combining meticulous research with her own imaginings, Jill Eileen Smith not only tells one of the most famous love stories of all time but will manage to surprise even those who think they know the story inside and out.
In this “beautifully wrought” novel set in Franco-era Spain, a university student stumbles into a decades-old mystery (New York magazine). It’s the late sixties, the last dark years of Franco’s dictatorship. Minaya, a university student in Madrid, is caught up in the student protests and the police are after him. He moves to his uncle Manuel’s country estate in the small town of Mágina to write his thesis on an old friend of his uncle, an obscure republican poet named Jacinto Solana. The country house is full of traces of the poet—notes, photographs, journals—and Minaya soon discovers that, thirty years earlier, during the Spanish Civil War, both his uncle and Solana were in love with the same woman, the beautiful, unsettling Mariana. Engaged to Manuel, she was shot in the attic of the house on her wedding night. With the aid of Inés, a maid, Minaya begins to search for Solana’s lost masterpiece, a novel called Beatus Ille. Looking for a book, he unravels a crime. One of Spain’s most celebrated literary figures, the author of Sepharad and In the Night of Time weaves a “rapturously gothic” tale that is both a novel of ideas and an intricately plotted mystery (The New York Sun). “A brilliant novel by an important writer unafraid of ideas, emotions and genuine beauty.” —Los Angeles Times “Already a contemporary classic, this work . . . is an enigmatic gem in the very best metafiction tradition.” —Library Journal
Exhibit-A To dream the im-poss-ible dream to fight the un-beat-able foe to run where the brave (or wise) dare not go -From the Broadway production of The Man of La Mancha, music by Darien and Leigh, 1965 Gracing the awesome coastline of California like a set of stained glass and adobe rosary beads, the 18th-century chain of twenty-one old Spanish missions offer the modern tourist a window into the history of the golden state at once colorful, quaint, often romanticized and just possibly not as benign as the tourist literature would lead us to believe. Investigating just that possibility, three amateur researchers have uncovered an historic mission artifact that, proven authentic, could shaken the golden state to its foundations. Nor would the repercussions end there, cautioned research director Brother Kolbe. Not by a long shot. At the state capitol in Sacramento, the governors Mission Affairs Department, and entrenched bereaucrazy representing the vested interest of the church, civic groups, university and private concerns, is naturally interested in the discovery. With real estate totaling in the multi-billion dollar range, including treasure troves of priceless relics and artwork, the Mission Affairs Department is somewhat hesitant at relinquishing control of their flock of iconic golden geese. Exposing the scandalous mission hullabaloo to the light of day may very well, researcher Samara Del Rio smiled with a perfectly beatific malfeasance, induce a state of anarchy. This my quest, to follow that star no matter how hopeless, no matter how far Along with Sam, ostensibly the team sociologist; Franciscan Brother and linguist Kolbe McCeanna and computer technician Felicia Bonaventura have tracked the legendary article to the derelict ruins of a minor auxiliary mission, Mision Estancia San Micmac, abandoned deep in the cathedral redwoods of Californias rugged pacific coast foothills. Exhibit-A.: as Sacramento knows, the notorious artifact is a legendary mission document lost since the colonial era, and thought to be a Spanish translation of aboriginal petroglyphs, entitled Las Cuentitas Primaveritas de Isla Califia. Past as prologue, a highly divisive work of folkloric Outside Art, colonial-era historians date the slim manuscript to the year 1561. Spakespearean scholars, however, citing key internal references to The Bards colonial-era play The Tempest, insist that the text is no older that the year 1611. Anti-Stratfordians, of course, call the Spakespearean theory leaky as an unstaunched wench. Adding to the debate, pre-Columbian archivists at Villa Poggio Gherado in Canterbury, England claim tevidence supporting a composition date of 1348. Equally divided, modern pundits dismiss Las Cuentitas as nothing more than psychosocial gibberish and third-rate poetic doggerel anyway, or else venerate the document as instrumental to a radical psychosocial transformation. Either way, if birds of a feather flock together than the infamous manuscript resembles a traditional book to the extent a penguin resembles an ostrich. [Embedded in translation throughout the plot of The California Tales], Las Cuentitas represents an extraordinary multimedia-literary genre suppressed censored and banned since the 1960s as irredeemably subversive to the status quo. During its brief hayday in the sun, the tempestuous genre was known as Prosperos Salient Heliotropic Articulation Grids: pSHAGs. And, particularly threatening to the dominate paradigm, pSHAG poetry, (or poemetry), was known, rather tongue-in-cheek, as Teleothanantological Neuropeptidal Algorithms: T.N.A.s. Moreover, reputedly encrypted within a Prospero SHAG TNA are the sole surviving fragments of the theoretical Archetypical Tale: the mother of all manuscripts, the lore at the core. Archetypical Tale theorists insist that this so-called consummate communiqu is simultaneously primordial and pansophic, pro