Being Jewish In 21st Century Germany

Author: Olaf Glöckner
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110350157
Size: 46.99 MB
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An unexpected immigration wave of Jews from the former Soviet Union mostly in the 1990s has stabilized and enlarged Jewish life in Germany. Jewish kindergartens and schools were opened, and Jewish museums, theaters, and festivals are attracting a wide audience. No doubt: Jews will continue to live in Germany. At the same time, Jewish life has undergone an impressing transformation in the second half of the 20th century– from rejection to acceptance, but not without disillusionments and heated debates. And while the ‘new Jews of Germany,’ 90 percent of them of Eastern European background, are already considered an important factor of the contemporary Jewish diaspora, they still grapple with the shadow of the Holocaust, with internal cultural clashes and with difficulties in shaping a new collective identity. What does it mean to live a Jewish life in present-day Germany? How are Jewish thoughts, feelings, and practices reflected in contemporary arts, literature, and movies? What will remain of the former German Jewish cultural heritage? Who are the new Jewish elites, and how successful is the fight against anti-Semitism? This volume offers some answers.

The Red Army Faction A Documentary History

Author: J. Smith
Publisher: PM Press
ISBN: 1604861797
Size: 68.98 MB
Format: PDF, ePub
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The first in a two-volume series, as part of a co-publishing project between PM Press and Kersplebedeb, is by far the most in-depth political history of the Red Army Faction ever made available in English. Projectiles for the People starts its story in the days following World War II, showing how American imperialism worked hand in glove with the old pro-Nazi ruling class, shaping West Germany into an authoritarian anti-communist bulwark and launching pad for its aggression against Third World nations. The volume also recounts the opposition that emerged from intellectuals, communists, independent leftists, and then – explosively – the radical student movement and countercultural revolt of the 1960s. It was from this revolt that the Red Army Faction emerged, an underground organization devoted to carrying out armed attacks within the Federal Republic of Germany, in the view of establishing a tradition of illegal, guerilla resistance to imperialism and state repression. Through its bombs and manifestos the RAF confronted the state with opposition at a level many activists today might find difficult to imagine. For the first time ever in English, this volume presents all of the manifestos and communiqués issued by the RAF between 1970 and 1977, from Andreas Baader’s prison break, through the 1972 May Offensive and the 1974 hostage-taking in Stockholm, to the desperate, and tragic, events of the “German Autumn” of 1977. The RAF’s three main manifestos – The Urban Guerilla Concept, Serve the People, and Black September – are included, as are important interviews with Spiegel and le Monde Diplomatique, and a number of communiqués and court statements explaining their actions. Providing the background information that readers will require to understand the context in which these events occurred, separate thematic sections deal with the 1976 murder of Ulrike Meinhof in prison, the 1977 Stammheim murders, the extensive use of psychological operations and false-flag attacks to discredit the guerilla, the state’s use of sensory deprivation torture and isolation wings, and the prisoners’ resistance to this, through which they inspired their own supporters and others on the left to take the plunge into revolutionary action. Drawing on both mainstream and movement sources, this book is intended as a contribution to the comrades of today – and to the comrades of tomorrow – both as testimony to those who struggled before and as an explanation as to how they saw the world, why they made the choices they made, and the price they were made to pay for having done so. With a preface by North American class war prisoner Bill Dunne, a revolutionary captured in 1979 following a shoot out with police in Seattle, Washington.

Straw Dogs

Author: Stevie Simkin
Publisher: Macmillan International Higher Education
ISBN: 0230346235
Size: 64.83 MB
Format: PDF
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Sam Peckinpah's Straw Dogs ignited fierce debate among censors, critics and audiences on both sides of the Atlantic on its release in 1971. When Amy (Susan George) returns to her home village with her American peacenik husband David (Dustin Hoffman), the residents of this tight-knit Cornish community slowly turn on them. The sexual tension and latent violence finally erupt in an explosion of violence that includes a rape scene that has remained controversial to this day. The film was heavily cut for theatrical release in the US, and the pressinspired furore in the UK led to several local councils cutting or banning it outright. Later, caught in the wake of the 'video nasties' panic of the 1980s, Straw Dogs was refused a home-video certificate in the UK for nearly twenty years. Stevie Simkin's study sheds light on the film's treatment by the British Board of Film Classification (BBFC) and tracks its subsequent tortuous journey towards home-video release, buffeted by various shifts in the BBFC's policy on representations of sexual violence. But, equally importantly, Simkin provides a highly original accountof themaking of the film, drawing on extensive research in Peckinpah's archive, including analysis of draft scripts, notes, memos and contemporary press items, as well as insights from a number of Peckinpah's associates, and key figures at the BBFC. 'A swift, compelling read. Thorough and scholarly without the faintest whiff of academic stuffiness, Stevie Simkin's study of Straw Dogs summons up the turmoil of the 1960s and 70s and illuminates the highly charged subject of sexual violence on film.' Stephen Farber, Film Critic, The Hollywood Reporter Stevie Simkin is Reader in Drama and Film at the University of Winchester, UK. He is the author of, among other works, Revenge Tragedy: A New Casebook (2001), Early Modern Tragedy and the Cinema of Violence (2005), and, also in the Controversies series, a volume on Basic Instinct (forthcoming, 2013).